*Alien Skin Exposure 5, the best keeps getting better.

There are quite a few film emulation plugins to choose from.  Looking at the sheer multitude of cross processed filters or “film” replications on offer from different plugins can be daunting.  To me, the difference is in the details, and none does a better job in my opinion than Alien Skin’s Exposure has.  When choosing a plugin, the biggest and most important features lie mainly in interface, tools available and when discussing a film replication, the actual grain structure and implementation is key.  Like past Exposure releases, Exposure 5 gives you a full library of Black and White as well as Color film filters.  Many plugins emulate a similar result, but none has paid as much attention to detail, grain reproduction and fidelity as Alien Skin Exposure 5 has, to my eye.  With Exposure 5, the new release adds a new user interface and some sweet new controls.  Read on for some of the details…

*Olympus 75mm f/1.8, all it’s cracked up to be?

After my recent disappointment with the Olympus 60mm f/2.8 macro (read here), and my ongoing ups and downs with the Olympus OMD EM5, I have been looking to be convinced by Olympus.  I hear so much about Oly’s stellar reputation, but I’d not personally felt those plaudits justified through my experiences with the few Olympus products I’ve owned (hopefully the fanboys will be kind to me here).  In comes the M. Zuiko 75mm f/1.8 lens.  A solid, sharp, 150mm EFOV lens with quite a reputation of its own, even being less than a year old has come onto the scene.  After returning the 60mm macro, I wanted to make sure that the investment in the 75mm lens would be worth it to me…

*50% off All Topaz Plugins!

From right now through November 26th, all Topaz plugins are 50% off!!!  Kind of insane actually seeing that so many of them are already so realistically priced.

Click HERE to see the Plugins that Topaz offers (listed at full price) and enter the code “CyberSavings” at checkout to cut the price in half!

Here are some of the plugins that I’ve reviewed:

Topaz DeNoise5 (a killer noise reduction plugin)

Black and White Effects (very budget friendly B&W processing)

Clean (edge detail and skin softening plugin) which also doubles as a Fractalius like plugin for Mac!

I also love Adjust and would highly suggest any (or all) the Topaz plugins, especially at 50% off!!!

Cheers,

Tyson

*Topaz DeNoise 5, like a fine wine.

Smooth, yet refined with an impeccable attention to detail.

Noise has become less and less an issue for digital photographers over the last few years as sensor technology gets better, in camera processing is capable of shouldering more of that load than ever before and digital asset management software/RAW converters are up to the task for much of the noise reduction needs.  Still, with analog to digital information translation, there is an inherent signal:noise issue that can always be further helped by a good noise reduction software.  Add to that, pro-sumer 35mm format models breaching the Medium Format pixel counts, or compact sensors pushing the pixel pitch to near immeasurable dimensions, there is, and will be a need for a manual noise reduction control through post processing.  While Lightroom and Aperture have good noise reduction algorithms, they are the swiss army knife of image processing, giving you many handy tools, but what happens when you need a power tool?  That little Swiss army knife’s mini-saw ain’t gonna cut through that noise riddled log for you, you’ll need a chainsaw.   Enter, Topaz DeNoise5, your powerful, noise reducing chainsaw.  Right now, through October 12th, get 30% off of Topaz DeNoise5 by using the code “NoiseFree” at checkout, click HERE to go to Topazlabs.com.  I’ve used Noise Ninja and Nik Define in the past, and I think both of those have just been pushed out of my workflow.  Read on for examples and my take…

*How do aperture and focal length affect the DOF or exposure on different sized sensors?

Okay, much like the “effective focal length” discussions, there seem to be many “effective aperture” discussions going around as many of these mirrorless interchangeable lens compact system cameras begin to really round out their lens offerings.  Well, I guess the micro 4/3 system has while the Samsung NX is getting there and Sony NEX system users still have a small handful of options, but not really here nor there.  The fact that so many lenses can be adapted across various formats can complicate the discussion.  Along with those who shoot with APS-C DSLR cameras, all references for focal length and depth of field seem to fall back to a full frame/35mm sized sensor as the benchmark.  There are some misconceptions as to how the aperture, or focal length affects the exposure or depth of field in these varying formats.

C’mon in, we’ll straighten this all out.

*Lensbaby’s brand new Edge 80 Optic!

February 14th, 2012 - Uh oh, don’t look now.  Lensbaby has further diversified their lineup with a sharp, solid portrait lens with the same quirky capability of that signature Lensbaby look…  It’s been a busy winter for Lensbaby.  Out now and available immediately, the new Edge 80 optic.  Like the Sweet 35 before it, the Edge 80 has the ability to control the aperture of the optic without having to use the magnetic drop in disks necessary with the standard optics.  An 80mm f/2.8 Flat Field focus Optic with a 12 blade circular, user controlled aperture mechanism is great for anything from portraits to street shooting.  Read on for more examples and links…

*Digital Film Tools – Film Stocks Plug-in!

Officially announced and available immediately for $95usd (still image plugin) or $195usd (video plugin) this new offering from Digital Film Tools gives you the same amazing layer based control as Tiffen Dfx v.3,  for 288 different film stock replications.  Read on for examples and more info…

*Everything you need to know about digital photography (well, almost). Two years of tips, tricks and various freebies, revisited.

With my blog’s second anniversary coming up, I wanted to thank everyone that has stopped by, commented and added to the content.  It’s been a fun couple of years and has been far more educational for me than I’d ever thought it would have been.  I wanted to make a list of my more popular posts as well as some that can help some of us who may be just stumbling into the fold.  Any of us who have recently acquired a new camera and may be wanting to learn how to use it to its potential, or are looking to build up a few post processing techniques, I’ve compiled some of the more useful and popular posts below…

*Lensbaby’s sweet, ‘Sweet 35′

It’s here.  This, more than any other Lensbaby optic I’ve personally used, changes the Lensbaby from a fun tool, into a productive, creative asset.  Not that any of the other Lensbaby optics are bad, quite the contrary, I think that the Lensbaby system is and has always been a wonderful addition to my photographic arsenal, it’s just that up until now, one big challenge with any of the Lensbaby optics has been the inability to alter the size of the sweet spot via aperture adjustment quickly on the fly…  Now, you can bring all of the cool, selective focus effects into concert with the adaptability and exposure tuning qualities of a more standard lens.  Read on for a quick video and image samples…

*The Eyes Have It.

Eyes are not only a window, but a roadmap.  I’ve always felt that I can tell a lot about a person based on the shoes they wear, and the kind of person they are by their eyes.  Eyes tell you a story, they paint emotion and can determine the power of a portrait.  Of course there are many, many other elements to pay attention to, but a good portrait quite often starts and ends with the eyes.  Even in snapshots, making sure everyone’s eyes are at least open is one of the first things you check when glancing on the LCD screen right?  Assuming we’ve captured a shot with eyes open wide, getting them to pop can make the difference between a good portrait and a wow shot.  Here are a few techniques that I use, and have found from others, that can help make those eyes stand out.