*My, how the mighty (prices) have fallen. The GX1, best bang for the buck?

I’m sure there are new cameras on the horizon.  With every camera manufacturer pumping a few new bells and whistles into newer body styles and wrapping it around warmed over sensor tech, those among us who play the patient opportunists really benefit.  I held off on the GX1 when it was released and opted for the G3 when upgrading from my GF1.  I gained the beautiful EVF, and at the time saved about $500 (when looking at the GX1 + add on EVF).  I’ve since been running a two camera setup (much as I do with my full frame work setup) as it allows me to always have a backup as well as be able to eliminate much in the way of lens changes.  Because I use the Olympus OM-D E-M5 as well, and I’ve recently traded my G3 to my brother in law for favors yet to be determined, I felt I could justify a compact body, sans EVF again.  Enter the GX1 which is now down to only $250 just about everywhere!  (it’s available at B&H – CLICK HERE – with 2% reward and free shipping).  C’mon in to see a couple shots of and with the GX1…

*FotoMagico4, slick slideshows made easy.

I was asked to review FotoMagico4 recently.  Knowing nothing about the software, I found it an interesting task when I read up on what FotoMagico was.  Being a parent to two young kids, I’m always looking for fun ways to document our events or outings for family and the sake of familial posterity.  Being a photographer, I’m always on the lookout for ways to present a streamlined visual product.  Coming at it from either of my personal directions, FotoMagico seems to tick all the boxes.  Learning a software program from the ground up can be daunting, so I put my head down and got to work learning this new version from Boinx Software.  Luckily, it proved to be pretty intuitive once I got going.  Read on for my experiences and opinions…

*Olympus OMD EM5 v1.5 firmware update includes IBIS for third party lenses in video mode!

Just a quick comparison pre and post firmware v1.5 update showing the difference that the IBIS (In Body Image Stabilization) makes when using adapted, third party lenses in video mode on the Olympus OM-D E-M5.

The above video was shot using a Canon FD 55mm f/1.2 SSC lens adapted to the OM-D E-M5 with segments using firmware v1.2 to show the lack of IBIS support compared to the same setup after the firmware update to v1.5.  I was walking with the camera held out in front of me to further amplify the differences that the IBIS can make for video.  I would certainly suggest standing still, IBIS or not when shooting video because nobody wants to watch this type of vomit inducing drivel, with the distinct exception of gear nerds like myself, in small, short doses of course.

To properly engage the IBIS when using adapted lenses for video, you’ll need to manually enter the focal length (just as we have to for still shooting) in the Image Stabilization sub menu.

Along with the added IBIS support in video capture for third party lenses, the update included a muting (or more accurately a disengagement) of the IBIS humming when the camera was inactive prior to entering sleep mode.  Unfortunately, we didn’t see some of the other issues we’d raised last week addressed (like focus peaking, high ISO banding, etc) but these are two good changes and hopefully are merely the beginning of the firmware update chain for this camera.

You can find the OMD EM5 at B&H HERE.

Thanks for the read and happy shooting,

Tyson

*How do aperture and focal length affect the DOF or exposure on different sized sensors?

Okay, much like the “effective focal length” discussions, there seem to be many “effective aperture” discussions going around as many of these mirrorless interchangeable lens compact system cameras begin to really round out their lens offerings.  Well, I guess the micro 4/3 system has while the Samsung NX is getting there and Sony NEX system users still have a small handful of options, but not really here nor there.  The fact that so many lenses can be adapted across various formats can complicate the discussion.  Along with those who shoot with APS-C DSLR cameras, all references for focal length and depth of field seem to fall back to a full frame/35mm sized sensor as the benchmark.  There are some misconceptions as to how the aperture, or focal length affects the exposure or depth of field in these varying formats.

C’mon in, we’ll straighten this all out.

*OM-D E-M5 vs G3… what’s this about a new sensor?

The Micro 4/3 system has really grown up in the last year. Sensor tech has taken a substantial step forward and the lens lineup has rounded itself out very nicely. Much has been eluded to regarding the origins of the OM-D E-M5 sensor, is it a reworked Panasonic sensor, a Sony sensor, an inhouse super secret sensor??? Oly came out and admitted that Sony is the manufacturer of the sensor in the OM-D E-M5 quelling the rumor mill, and of course, the G3/GX1 (and quite possibly the soon to be G5) sensor, built by Panasonic, is in fact different. That all said, I really wanted to see how these two sensors compared to one another as I have been very impressed by the G3. C’mon in and we’ll take a closer look at a few files.

*Exposure 4, it just keeps getting better.

I’ve been a huge fan of Alien Skin’s software for years now so I’m sure it’s no surprise that I’m excited by their recent update to an already killer plugin.  Exposure 4 keeps the functional structure in tact and further enhances its skill set to fine tune it into a plugin that will help any photographer, or digital artist further realize their final vision.

Read on for my experience through this exciting new release…

*Tiffen Dfx 3, one plugin to rule them all?

There are no shortages of plugins to help photographers and digital artists streamline their workflow and help fine tune their look. Tiffen Dfx-3 offers an amazing amount of digital filters and user manipulatable options in one plugin. Is it useful to have this many options in one plugin, or is it too much? Well, depending on your needs and budget, this may be the only photoshop plugin you’d ever require. Read on for examples and my tip of the iceberg review on this amazingly filter packed plugin…

*Topaz Clean 3, bang for your buck.

At first glance, Topaz Clean 3 seems like a simple, straightforward plugin.  A few presets give you distinct looks which blur detail anywhere from slight to cartoony.  If utilized properly, it can provide a great skin softening plugin, or an abstract, artistic pixel obliterator.  Coming in at under thirty bucks, it might just be the plugin you didn’t know you were looking for.

*Snap Art 3, unleash your inner artist!

Anyone familiar with my blog knows I’m a fan of artistic, digital image file manipulation.  Be that through actions, plugins or standalone software, I like to use my pictures in a variety of different ways.  One thing I’ve always wanted to be better at, but was never able to hone my skill, is painting.  So, into my life fell digital photography, but there was that tactile, artistic void left behind.  I have tried Corel’s Painter, which is an amazing program, but one that requires just short of a masters degree to fully understand, and is in my opinion much better utilized by those who are already decent actual painters.  Well, I’ve always wanted to be able to finely tune, and offer digital painting as a conversion for a digital picture file both personally and professionally, and until I tried my hand at Alien Skin’s Snap Art 3, I had resigned myself to putting it on the bucket list.  A plugin for either Photoshop or Lightroom, the seamless and intuitive interface can help you produce digital paintings and drawings with a variety of media in a matter of seconds.  Read on for initial feelings and examples…

*Lensbaby’s sweet, ‘Sweet 35′

It’s here.  This, more than any other Lensbaby optic I’ve personally used, changes the Lensbaby from a fun tool, into a productive, creative asset.  Not that any of the other Lensbaby optics are bad, quite the contrary, I think that the Lensbaby system is and has always been a wonderful addition to my photographic arsenal, it’s just that up until now, one big challenge with any of the Lensbaby optics has been the inability to alter the size of the sweet spot via aperture adjustment quickly on the fly…  Now, you can bring all of the cool, selective focus effects into concert with the adaptability and exposure tuning qualities of a more standard lens.  Read on for a quick video and image samples…