*Olympus 45mm f/1.8 vs the Contax G Zeiss 45mm f/2

olympus m.zuiko 45mm f/1.8 vs contax zeiss 45mm f/2 planar

I held off for a long time on buying a portrait focal length for the Micro 4/3 system and despite the stellar reputation and modest pricing of the Olympus 45mm f/1.8 lens, I’d found myself more or less happy with my adapted Contax 45mm.

The Contax G Zeiss 45mm f/2 lens has a pretty amazing reputation of its own.  In its day, it was touted as being one of the sharpest standard lenses available, even garnering praise over some more illustrious Leica lenses in the same focal length neighborhood.  While I wish I had some Leica glass with which to test and back up that claim, let’s just say that the little Zeiss lens has done okay for itself and still goes for a decent amount of money now that the weird proprietary focusing mechanism has been worked around and this lens can be adapted to most any mirrorless camera nowadays.

So, how do these two compare?  Let’s see…

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*New Kid On the Blog! Leica DG Summilux 15mm f/1.7 lens, first look.

leica 15mm f/1.7

 

Hi all.  Sorry for the lack of activity on the blog.  Lots of things happening in the Robichaud camp of late, many of which have required a large amount of time, energy and emotional involvement.  All’s well, and one thing I’ve been really wanting to share is a quick look at this new micro 4/3 gem.  The (Panasonic) Leica DG Summilux 15mm f/1.7 aspherical micro 4/3 lens is the fourth Leica branded lens for the micro 4/3 system, and much like the others I’ve shot with, brings with it a unique signature.  Boasting a fast f/1.7 maximum aperture setting, and a 30mm equivalent field of view in a solidly built little package, it should prove to be another success for the system.  An odd focal length, but one that if embraced, can give someone a unique wide angle that moonlights as a semi-standard a-la the more traditional 35mm focal length.  I have always been a 35mm lens fan, and not a fan of the 28mm lenses, rather opting for a 24mm as my wide angle and the 35 as my semi-wide/standard focal length of choice for all around shooting, this lens has forced me to reassess my past comforts, but to be fair, the Oly 75mm falls into that same category, and I love that one, so I’ve found room in my heart for odd focal lengths in the past.  Okay, let’s take a quick look at this little lens…

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*Olympus 45mm f/1.8 Lens on sale!

IMG_7115

I’ve been on the fence for years now regarding a moderate/short tele micro 4/3 lens having been pretty happy with my adapted Contax G Zeiss 45mm f/2 Plannar lens, until fate dealt me a debilitating blow last week which saw my trusty 12-32mm pancake zoom bite the dust.  I’ll get into that in more detail later, but looking to replace it, and having a difficult time finding one, I came across the current Olympus Lens Rebates (click here to see them all).  The Oly 45mm f/1.8 lens is largely regarded as one of the best lenses for the system, especially for the price.  Right now, that normal price of $399 is down to $349 as Olympus has issued a $50 rebate which runs through June 14th, 2014 according to Oly’s website.

While I’ll do a more in depth review on this little gem shortly, come on in for my initial thoughts and sale links.

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*Canon EF 55mm f/1.2?

Canon EF 55mm f/1.2

Nope, not a typo.  I have, in my possession a Canon 55mm f/1.2 lens with an EF mount.  How?  Well, many of you may know of Ed Mica, an engineer with a passion for photographic lenses, and lens mounts more specifically.  He has worked to provide many mount conversion kits for older FD lenses, converting them to a more modern EF mount and while Ed has had a conversion mount for the FL 55mm f/1.2, I’d been waiting for an FD 55mm f/1.2 SSC conversion since I’d first heard about Ed’s products a couple years back.  Now, he has a conversion mount for many different FD, FL and FDn lenses including my lovely 55mm.  Not only do I now have an ultra fast semi-standard lens for my full frame Canon cameras, I also need to keep one less micro 4/3 adapter around which turns this lens into a 110mm equivalent lens capable of absorbing light in the near darkness for both formats…  Examples and test shots on the other side…

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*Panasonic Lumix G Vario 12-32mm f/3.5-5.6 Lens, Tested

Lumix G Vario 12-32mm f/3.5-5.6 lens review Yet another kit lens has come onto the scene.  On paper, ho-hum, a little wider, a little shorter, still slow, no focus ring…  Why would this particular kit lens be a better choice than the other current options?  Yes, it’s tiny and light weight and nearly as small as the Lumix 14mm Pancake lens, but what’s this?  It’s reasonably sharp at all focal lengths and all apertures and offers us a 24mm equivalent lens as opposed to the moderate wide 28mm equivalent in most all other kit zooms… Interesting.  Hit the jump for my user review on this little optic…

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*Panasonic GM1 Reviewed – Say hello to my little friend

gm1 and friends

I have spent the better part of the last month shooting with this camera almost exclusively.  I wanted to really get a feel for this tiny machine, its ins and outs, before I wrote up any type of review.  While being the smallest interchangeable lens system camera body currently available, it certainly has some ergonomic drawbacks, but that begs the question, who is this camera for, and can it be a compliment or even replacement for another of the micro 4/3 system cameras, even {gasp} a larger system camera?  Well…

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*Lumix GM1, mine’s smaller. A quick look at the smallest MILC camera.

this little piggy...

How small is too small?  How about a micro 4/3 camera that is smaller than most any fixed lens compact sporting a 1/1.6″ or 1/1.7″ sensor (not to mention any of the 1″ sensor cams, or even most compact p&s cameras I’ve owned)?  Well, I’d heard that the Panasonic Lumix GM1 was small, but I don’t think I was prepared for HOW small this thing actually is.  Have a look…

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