While I love the overall size reduction that newer mirrorless system cameras provide, certain cameras really sacrifice a functional grip, especially for larger hands more suited and accustomed to the larger, deeper DSLR style hand grips. With tiny buttons abound, touch sensitive screens and minimal real estate on the backs of these cameras to grip onto, I found myself looking for something to supplement my EM5’s “grip.” I was not going to pony up $300 for the accessory grip from Olympus because I don’t want the double battery/vertical grip portion, and while I could just use the add on grip on its own, the price is ridiculous to gain access to a simple grip (granted it did incorporate a second shutter button, but I already have one…). Enter the Really Right Stuff OMD EM5 grip plate combo. Read on for pics and a video showing how it fits the body of the OMD EM5…
Just a quick comparison pre and post firmware v1.5 update showing the difference that the IBIS (In Body Image Stabilization) makes when using adapted, third party lenses in video mode on the Olympus OM-D E-M5.
The above video was shot using a Canon FD 55mm f/1.2 SSC lens adapted to the OM-D E-M5 with segments using firmware v1.2 to show the lack of IBIS support compared to the same setup after the firmware update to v1.5. I was walking with the camera held out in front of me to further amplify the differences that the IBIS can make for video. I would certainly suggest standing still, IBIS or not when shooting video because nobody wants to watch this type of vomit inducing drivel, with the distinct exception of gear nerds like myself, in small, short doses of course.
To properly engage the IBIS when using adapted lenses for video, you’ll need to manually enter the focal length (just as we have to for still shooting) in the Image Stabilization sub menu.
Along with the added IBIS support in video capture for third party lenses, the update included a muting (or more accurately a disengagement) of the IBIS humming when the camera was inactive prior to entering sleep mode. Unfortunately, we didn’t see some of the other issues we’d raised last week addressed (like focus peaking, high ISO banding, etc) but these are two good changes and hopefully are merely the beginning of the firmware update chain for this camera.
You can find the OMD EM5 at B&H HERE.
Thanks for the read and happy shooting,
The Micro 4/3 system has really grown up in the last year. Sensor tech has taken a substantial step forward and the lens lineup has rounded itself out very nicely. Much has been eluded to regarding the origins of the OM-D E-M5 sensor, is it a reworked Panasonic sensor, a Sony sensor, an inhouse super secret sensor??? Oly came out and admitted that Sony is the manufacturer of the sensor in the OM-D E-M5 quelling the rumor mill, and of course, the G3/GX1 (and quite possibly the soon to be G5) sensor, built by Panasonic, is in fact different. That all said, I really wanted to see how these two sensors compared to one another as I have been very impressed by the G3. C’mon in and we’ll take a closer look at a few files.
Like many other camera geeks and micro 4/3 system fans out there lately, I’ve been reading up on anything that I can find on Oly’s new flagship micro 4/3 camera. It touts some pretty impressive specs, but how does it come across in function? I pulled the trigger, and while happy that I did, I do find that there are some things about the camera that seem to have been overlooked or neglected. There are many articles outlining the spec sheet and testing the features, this is my own personal feel coming from someone who uses this camera as a daily tool and has been doing so for the last couple weeks.
I know that on paper this is a crazy comparison. It’s also not fair in that we have two very different sensors, one, a 21 mega pixel full frame at the end of it’s 3+ year life cycle and the other about a quarter of the size and which is not even 10 months into its own. Well, these are the two cameras that I have and use on a regular basis. As I’m contemplating leaving one home for an upcoming trip, I wanted to see just what I was going to be getting. This is purely a fun/bored post, but one that I thought might be at least somewhat interesting to a few of us out there. How does the new 16mp G3/GX1 sensor stack up?
When it came time to upgrade my beloved GF1, I waited for its true successor to be revealed. The GX1, not the GF2 nor GF3, is seen by most GF1 users as the camera that has had the GF1’s torch passed to it. I’ve spent two solid years with the GF1 and have finally felt that the current crop of mirrorless system cameras out there have upped the game enough for me to trade it in. I surprised even myself when I decided on the G3 over the GX1, NEX5n, EP3 or NEX7. A budget conscious option which I feel punches well above its weight. I’ve got some low light test shots, size comparison shots and the like. C’mon in and I’ll explain why I feel the G3 was the best option for a shooter like me…
My blog may seem as if I’ve become nothing but a Lensbaby honk of late. Let me say, I’ve been lucky enough to have made friends with the fine folks at Lensbaby. That, and they’re my local, hometown lens manufacturer right here in Portland. I am a softy when it comes to supporting the local folks, so in a word, yes, I like seeing a local, forward thinking optical company do well. They are also very cool people making very unique, affordable optics, and they asked me if I would play around with this new lens. I love all things photography, so I was excited to get my hands on yet another brand new Lensbaby product to play around with. As if the recently released Tilt Transformer wasn’t enough, Lensbaby has developed the Scout to further diversify their optical offerings. More after the jump…
As announcement after announcement come in, excitement in the photographic industry rarely hits the pitch that it does when Photokina rolls around. Lensbaby has used this stage to announce their first micro 4/3 and Sony NEX dedicated offerings in the form of a combined Tilt Transformer and Composer for each of the subsequent mounts. Being that I do not have, nor have access to a NEX 3 or 5, I’ll be writing about my experience with the micro 4/3 mount Lensbaby Tilt Transformer/Composer combo. Combining the optical playground that is the Lensbaby Composer with the ability to replace the composer element and mount any Nikon F mount lens to gain a multitude of tilt-able options is just what we’ve needed to see in a micro 4/3 mount, a versatile, affordable, different and really, really fun option. Read on for a few test shots and examples…
I have been receiving quite a few emails lately asking which mirrorless interchangeable lens compact cameras I would suggest, so I figured I would give a quick rundown on who I feel would benefit from each of the current stock out there and which I feel are the “best” choices.
The start of a new decade brings with it a shift in digital image capturing technology. From an ambitious snapshooter’s perspective, perhaps the most versatile system has presented itself. While the discerning professional may not consider the micro 4/3 system cameras heavy lifting tools, it is at least an intriguing compact system for lighter shooting. Continue reading