Remember that really cool feeling of camping out in the dark room, focusing and projecting your image onto photo sensitive paper? Watching your creation materialize before your eyes in the developer as you lightly rocked the chemicals back and forth, only to see your final image come to life for the first time? I do. It’s what sparked my love affair with photography, and if you never got to experience that, I think you should try to find a local community college or community space that still has enlargers, and give it a try. Now, fast forward… Do you remember me telling you about Digital Silver Imaging and their unique, digital silver gelatin printing process? To quickly summarize, DSI (find them here) has a process that takes your digital files, and exposes them like a negative, onto photo sensitive paper, and develops them in photo chemistry producing a beautiful, museum quality, archival print. The beauty and depth of a digital file, with the organic analog feeling of a silver gelatin print, is a very cool, very harmonious and nostalgic thing. Well, I’ve been back in contact with those fine folks, and after some delightful conversation surrounding the next step in actual mounting of said beautiful prints, this is what came back to me…
(*this article was originally written for, and appeared on the Alien Skin blog, by me, HERE.)
Put out your torches, and put down your pitchforks. I love film. I shoot film, and have a freezer and fridge full of it from 35mm Kodak Gold and Ilford Delta, to 120 Tri X and Portra 160 NC. The question I’ve struggled with though, is why? Why do I still shoot film? It’s expensive to process, ridiculously tedious to digitize and even with expensive drum scanning, still doesn’t reach the depth and range of modern digital files. Well, the answer for me has been nostalgia, the feel of the image, and the ability to take a step back, and focus on shooting in a more organic way that coincides with my initial falling in love with photography in the first place. A beautiful reality though, is that through software, and remarkable sensor technology, we can quickly and easily replicate the look of film if we want, taking care of one of those (my) criteria.
This post is not meant to be any more than a personal experiment in which I’ll look to answer this question for myself when using my go to digital solution when wanting to help analogize results within my digital reality and workflow because, while I may not need film, I sure do love to replicate the look and feel of it. C’mon in…
Hello friends! I’ve been working tirelessly (well, okay, that’s a lie, I’ve been fairly delirious actually) over the last couple months to put together a new home for the camera straps that I’ve been building for the last few years. With a new, grown up name and site, I give you, NautiStraps.com
Along with the tried and true Cascade and Vector wrist straps, I have introduced two new, shoulder straps as well. The Speed Sling is a pared down version of the Speed Holster Strap that we launched through Mettle Cycling (available directly soon), and the new Regatta Strap which utilizes a very high performance, dual braid yachting line for a comfortable, and very strong option.
Many of you found my blog through the wrist straps that I’ve been building and selling. Thank you for the support over the years. If you’ve enjoyed them, I’d greatly appreciate any buzz you can help me create for these. My wife and I are the dual proprietors of this new venture, and instead of kickstarting or asking for money up front, we’d rather try to build on the reputation I’ve worked so hard to create over time and have already invested in the material to actually make these. No need to pledge, you or a photog friend can get one whenever you want. So a tweetmyfacestagram, repost or even a comment here would be awesome. As always, I’d love to hear about your experience with them, and you can get to me through the Nauti Straps site, or contact me HERE.
Pricing stays the same as it has always been, the only differences are that product and shipping are separate on the new site, and I can now take credit cards directly through the site along with PayPal. As a thank you to all my friendly blog readers, I’ve set up a discount specifically for anyone that would like to try out a new Nauti Strap. Use code “TRPBLOG” at checkout for 15% off any and all straps this week.
Finally, if you have an Instagram account, I’d love to connect there as well. You can find us @nautistraps and follow for promos, giveaways and photo fun. We’re a follow back kind of couple too 🙂
Stay tuned here on the blog which I’ll keep updated with new releases and designs as we launch them. You can still find us through the Camera Straps Page HERE as well.
Thanks all, happy shooting and #getnauti!
I’m teaming up with my good friend, and fellow photographer, Randall (owner of Mettle Cycling) to offer the TRP Vector camera wrist straps. We chose the Vector in particular, as a great option for those who like to tote their cameras along for the ride because they’re light, easy to get on and off one handed, and while on, they’re comfortable and secure. I’ve been using the Vector straps, almost exclusively on my various cameras lately because they are comfy, and very low profile.
Available now in all 4 colors, go and visit Mettle Cycling HERE to see the camera straps (available with free shipping for the straps by using FREESHIPPING at checkout), along with tons of beautifully handmade, cycling goods. If you’re into journeying on two wheels, or just like to see great velo-photography, have a look at the Mettle Blog HERE. Great insight into various goings on here in the Pacific Northwest, along with different projects like Leave It On The Road, where a great group of folks raise money to fight cancer doing what they love, to help support those they love.
Happy Holidays to all, and I hope this entry finds you and all of yours, well. Keep on keeping on, and for the other TRP straps, you can always find them HERE.
Thanks for the read, and happy shooting,
Sorry for my dirty, foul mouth. I’m just blown away by how much better my a7II and Canon EF lens setup has become overnight. Long overdue, the Sony a7II got the much ballyhooed Uncompressed 14 bit RAW update (as opposed to that weird 11/7 compressed stuff, which is still nicely, an option) along with the return of the on sensor Phase Detection AF to the a7, pro-sumer camera with third party lenses. Why they kept this out to begin with is beyond me, and really one of my gripes with the Sony approach as a whole, but now that it’s here, it is friggin’ amazing. It is like I have an entirely new camera. C’mon in for firmware update links, and a video comparison between the auto focus speed and performance from the original firmware on the a7II and Metabones mark IV adapter, and now that they’ve both very recently been updated…
As many of you have figured out, we stopped our monthly flicker photo blog challenge, much to my dismay. Flickr’s desire to dumb itself down, into little more than a mobile app proved to be the death rattle for our monthly project which was going really well, bringing in hundreds of submissions for our monthly contests. C’est la vie.
Well, with these lemons, I’d like to make lemonade because lemonade is awesome, especially if you only use half the recommended sugar and watch your unsuspecting friends, and young children drink it.
I’ve been in conversation with my friends at Alien Skin Software, and have had the great fortune to be both a contributor to their blog, and a beta tester for many of their programs over the years, the newest of which is the yet to be released, Exposure update. As a long time fan of Exposure, I’m excited to see the final version. With this new project, I’d like to gauge interest in having a retouching tutorial, where by I process and retouch submitted images using Exposure, which may then be shared with many, many thousands of viewers here and through the Alien Skin blog. Come on in for more details, and my hope for this collaboration…
The brand new, hand built Vector straps are now available via the TRP Camera Straps Page HERE for $27 delivered ($33 outside of the US). They’re light weight, low profile and comfortable wrist straps for any camera. Utilizing very high end materials, I’ve chosen to build these with both comfort and function in mind. They’re great when wanting to keep weight and bulk down, comfort up all while maintaining a casual, modern look.
The Vector Straps are now available along with the Garda and Cascade Straps. Come on in to see who won free straps from our social media giveaway…