*Sony brings two new, sexy ultrawide zooms to the Full Frame party. JUST ANNOUNCED!!!

We’ve heard whispers of the Sony FE 16-35mm GM lens bandied about, and perhaps those in the know have also been hearing about an even wider option, but the FE 12-24 f/4 lens just caught me by surprise!

While pre-orders won’t be taken until this Friday, you can submit to have an email alert once they are available via these links which you can see more about these lenses, their specs and will take you directly to B&H:

Sony FE 16-35mm f/2.8 GM HERE

Sony FE 12-24mm f/4 G HERE

B&H lists the specs of the 16-35 f/2.8 lens as follows:

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • Two Extra-Low Dispersion Elements
  • Three Aspherical and Two XA Elements
  • Nano AR and Fluorine Coatings
  • Two Direct Drive SSM AF Groups
  • Focus Hold Button, AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Eleven-Blade Circular Diaphragm

…And the 12-24 f/4 lens is listed at B&H as such:

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2 to f/22
  • Four Aspherical Elements
  • One Super ED and Three ED Elements
  • Nano AR Coating
  • Direct Drive Super Sonic Wave Motor
  • Focus Hold Button, AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Seven-Bladed Rounded Diaphragm

Obviously, the B&H site has mis-listed the max aperture on the 12-24, but both of these lenses look really, really good on paper.  How they test out optically is yet to be seen, but I’d imagine it won’t take long for us to get many comprehensive reviews very soon.  These are going to be two popular lenses.

The 16-35 looks very nice, and I’m sure will be an extremely popular UWA zoom for pro use, the price is very high in my opinion.  Reminds me of the Canon debate between their EF 16-35mm f/2.8 L and EF 17-40mm f/4 L lenses where the extra stop costs nearly twice as much.  For me personally, I use an ultra wide zoom for interiors and landscapes which usually see me stop down to f/8- f/11 or so, and will be shot on a tripod.  That made the decision for me an easy one.  I see a similar situation here with Sony’s offerings.  The 12-24mm lens looks pretty damn intriguing, and while the price is still very steep, by comparison to the 16-35, for my UWA use, I’d be opting for the wider, slower zoom myself, assuming these both test well optically.

Both are dust and moisture resistant meaning they should do well to hold up in inclement weather for outdoor shooting, as we should expect for lenses like these, targeted and priced for professional use.

Anyhoo, keep an eye out for these bad boys.  Should go some way in helping round out Sony’s full frame lens game for those serious, and deep pocketed shooters.

Cheers, and happy shooting,

Tyson

*New Aurora HDR Pro for Mac OS from @wearmacphun

AuroraHeader

While the practice of merging exposures is a topic of much debate, I don’t really care.  If you’re not into it, I totally understand and respect that.  I too enjoy capturing and processing final images using single frames for 90%+ of my own photography.  For the other stuff though, I do love me a nicely balanced, merged exposure and have for many, many years.  I find the ability to bracket and merge in post a valuable tool when needing to be in and out of a space in a shorter amount of time (as opposed to setting up multiple lights for each and every shot which can limit the total amount of finished shots in the same time period).  I’d like to say that clients will happily pay for 4 or 5 hours while you set up and shoot, but I’ve not found many that will A) have that much down time to shoot unless I want to shoot at 3 in the morning, which I totally don’t) or B) have the budget for, or see the value in a photographer that takes that long to shoot a space.  Time is money, and the more I can save myself (and price my time to the client accordingly) the better off I’ll be. 

Over my personal journey with HDR, I’ve used quite a few programs (HDR Soft/Photomatix, Everimaging HDR, HDR Efex, Photoshop…) and when Macphun and Trey Ratcliff recently announced Aurora HDR for Mac users, I was very interested.  Much of my actual paid photography work falls into the interior design and hospitality realm, working with that wonderful group of folks at the ELK Collective.  

My goal has always been a natural representation of light and space, which as many know, can be tricky when tonemapping images through an HDR program.  When shooting an interior space, I want to take advantage of the actual dynamic range, getting detail in the highlights and shadows when and where I feel necessary, not just tone mapping for a more dramatic effect.  Well, I chose to process my most recent shoot using solely Aurora HDR Pro, and here’s what I found out about that program along the way…   Continue reading

*Sigma 20mm f/1.4 Art Lens on the Sony a7II and Canon 5DII, a user review w/ @adorama

 

Sigma Art EF 20mm f/1.4 Lens review

Happy new year! I’ve been having a wonderful holiday season, largely thanks to Adorama for lending me this beaut of a lens.  The Sigma Art 20mm f/1.4 is the widest, f/1.4 full frame lens, and is the newest addition to the much vaunted line of f/1.4 Sigma Art Primes available in Canon EF, Nikon F, and Sigma mounts.  In this article, we’ll explore a bit of the more measurable aspects as well as the more touchy, feely parts of interacting with this lens.  I shot this lens on both the Canon EOS 5D mkII and the Sony a7II via the EF>FE Metabones MkIV smart adapter, and it performed equally as solid on both cameras.  Is this a viable option for full frame system shooters for fast, ultra wide applications?  Well, seeing as there has never been a full frame compatible lens this wide, this fast, it’s forging new ground for many shooters, and that is pretty rare in this day and age.  C’mon in to see some example images and read my rambling thoughts…

Continue reading

*Congratulations to Pommes.Fritz123 for winning our February Flickr Photo Blog Challenge, Architecture! with @Mirrorlessons

Kuppel10_24_7

“Kuppel10_24_7” by Pommes.Fritz123 (see more from Pomme.Fritz123 HERE)

 

With his sweeping lines, Pommes.Fritz123 has won our twelfth monthly Flickr Photo Blog Challenge, “Architecture.”  Congratulations P.F123!  You’ve now been entered into our semi-annual giveaway post which will happen within the next couple weeks to vie for our reader’s overall favorite image from the last 6 months, and a free plugin from Alien Skin, another plugin of your choice from Topaz, a Lensbaby LM-10 smart phone camera lens and a brand new, yet to be released TRP wrist strap for your camera!

This was yet another awesome month with remarkable images.  I feel like we’re all seeing a collective stepping up of our respective games, and I hope that for all who choose to participate, you’re also seeing these as a fun way to spur creativity.  For all of those who submitted, thank you again.  To everyone who has, who may and will continue to submit, keep your eyes peeled for this month’s theme.  Each month is a new opportunity to motivate and connect with a larger community.  We start a new 6 month cycle with March’s theme.

These monthly themes, co-hosted by myself along with Heather and Mat from Mirrorlessons.com were started as a fun way to collaborate and grow our community.  It has given us a way to share much of your photography with a larger audience while connecting with many more photographers, and hopefully aid in providing some motivation for all of us to get out and shoot.  Not that everyone needs it, but I find that being given new direction can help keep my shooting fresh.

Stay tuned for our new theme this month, and keep watch for our semi-annual giveaway vote in a week or so to help us decide who gets all that cool free stuff.  Visit Mirrorlessons.com to stay abreast of all things mirrorless and find me on Facebook, Twitter, Flickr or Instagram . To stay posted on new articles, feel free to add your email address at the top right of the page here.  You’ll get email alerts as new articles are released.

Thanks for the read and happy shooting,

Tyson