GoPro users rejoice! Lensbaby has just launched a campaign to release their brand new 180+ degree circular fisheye lens for GoPro action cameras. It looks like it will be a great lens for GoPro system users who may want that wider angle that a circular fisheye produces for underwater video, general tomfoolery or to produce some cool, surreal drone footage. Jump on the train to be one of the first pledgers to get it for only $69.
See the release from Lensbaby below:
GoPro® cameras are amazing. The fixed lens however can be limiting. Lensbaby’s new Circular 180+ lens, packed with 185 degrees of AWESOME, will make you want to pull that GoPro® out and see your adventures like you’ve never seen before.
Lensbaby’s Circular 180+ lens creates fully circle fisheye videos and images with huge depth of field letting you capture the soul of your adventures with a fully immersive field of view. Attaching to the current waterproof housing on GoPro® Hero cameras, the Circular 180+ captures a 185 degree window on the world, wider than the human eye can see with unprecedented depth of field – subjects nearly touching the front of the lens are sharp along with everything else in the image.
With its 185 degree field of view, intense depth, tack sharp edge-to-edge focus plus its small, rugged design this lens will go anywhere you want to go. Back in now on Kickstarter to get your lens in time for summer shooting: http://lensba.by/kickstarter_circular180
I have no stake to claim here, no money on the table, no skin in the game. Just wanting to spread the Lensbaby gospel because I like the company and the folks that work there. They’re awesome. Click the link above to see sample footage and hear from Craig, the co-founder of Lensbaby as he explains what led to them developing this lens.
This strap has been a labor of love. Over the last 6 months or so, I’ve worked on a design to keep a camera from swinging all over the place while riding or hiking while also enabling quick and easy one hand operation to swing the camera back and forth. Those with a keen eye may have seen some leaks as we’ve eluded to this design over that time. My friend and collaborator, Randall and I have finally launched the new Speed holster Strap over on his site: MettleCycling.com Head over and check them out!
The Speed Holster Strap focuses on weight (weighs a few ounces) and a low profile, perfect for those that like to blend riding and photography. Meant to carry a small to mid size system camera (or compact) via the quick release clip and heavy duty, 170b split ring attached to the camera. Offered in two sizes, M/L for those riders up to about 5’10” and then and XL for us gangly monsters. The holster piece comes across your chest and under your opposite arm to keep the camera from swinging while riding or hiking around and will relatively stay put when put back.
These are a very labor intensive product, so we’re only able to do small runs at a time. We’ll see how these are received and then try to continue to keep up with any demand. Head over to MettleCycling.com and grab one while they’re still around.
Thanks to all who’ve helped us prototype these, and to Randall for getting these out to the community. Tag us with #trpblography and #onmymettle so we can see and share your shots and of course, we’d love to hear your thoughts and experiences with us via the socials: find me on Facebook, Twitter, Flickr and Instagram.
I had never, ever noticed any issue with shutter shock personally. This goes for my experience with the GX8, the OMD EM5 years back that many claimed to have had issues, and any other camera I’ve owned and shot with. This isn’t to say that my cameras didn’t suffer from this issue, I’m just saying that I’ve never noticed it. That may be that I’ve not been a huge pixel peeper (except when doing these types of tests for these articles) or perhaps I’ve just been easily able to excuse any softness for whatever reason.
That said, I have received a few emails over the last couple months asking specifically about the shutter shock issue with the GX8 and so I thought it might be handy to run a test to satisfy my own curiosity, and better equip myself when attempting to answer these types of inquiries. C’mon in to see the results…
Well, my friends, I have been enjoying the comparison between these two great cameras, and in this article I would like to present my opinions and findings regarding how they directly compare to each other in regards to performance and file output, once and for all (for my purposes, anyway). Here’s my disclaimer… I don’t work for Panasonic. I’ve always researched and purchased my own gear, and do these tests in an attempt to help others like myself see what I wish that I could have seen in cases before buying stuff. Enjoy and I hope this shows you something you’ve not yet seen.
I’ve been looking at the comparison from the angle of one who is curious about replacing my historically favorite micro 4/3 camera in the GX7, with it’s intended upgrade in the GX8. I’ve now had the GX8 for a couple months and have shot a few thousand images with it, so I have been able to get a good feel for how it handles, performs and how the files look when digging into them. With the GX8, Panasonic has given us an increase in size, resolution and features, which have all looked good on paper, and I’m now wanting to really see that come through in practice, which in most cases, it has.
Here is what I’ve seen, and what I’ve found…
Does that sound like a commercial pitch? I’m sorry, I’m just trying to be creative with these articles and the idea of writing about batteries, or rechargeable, storable and portable power might not tick too many boxes for those of us looking for a humorous review on the latest, greatest camera gear.
With that said, I can’t even begin to count the times over the past few years that I’ve been frustrated by low shot volume lithium ion, camera batteries. Don’t get me wrong, it’s amazing technology, and the lifespan on many of these batteries is so far beyond what older batteries were, but with all the power hungry features in todays cameras, combined with the ever growing desire to see these machines not only become more powerful, but smaller and lighter, power is going to be compromised. Anyone shooting an Olympus EM5/10 or Sony alpha camera can relate, I’m sure.
Enter Goal Zero, a solution for those of us who travel, shoot in the field or enjoy having some of the creature comforts while out in the wild, wild world. A very cool company producing some very cool products. C’mon in to read and see more…
Sorry for my dirty, foul mouth. I’m just blown away by how much better my a7II and Canon EF lens setup has become overnight. Long overdue, the Sony a7II got the much ballyhooed Uncompressed 14 bit RAW update (as opposed to that weird 11/7 compressed stuff, which is still nicely, an option) along with the return of the on sensor Phase Detection AF to the a7, pro-sumer camera with third party lenses. Why they kept this out to begin with is beyond me, and really one of my gripes with the Sony approach as a whole, but now that it’s here, it is friggin’ amazing. It is like I have an entirely new camera. C’mon in for firmware update links, and a video comparison between the auto focus speed and performance from the original firmware on the a7II and Metabones mark IV adapter, and now that they’ve both very recently been updated…
Panasonic has done well to progress the hybrid market bringing industry leading video features to remarkably affordable price points over the years. The GH line has always pushed into new territory with budget oriented motion shooters compared to all else available on the market. Along with cutting edge video features, they’ve also done well to provide competent still shooting devices incorporated into these wonderful, little mirrorless cameras. The GF and GX lines have historically incorporated a more still shooter driven skill set in a smaller, rangefinder style body while adding admirable video features as well.
There’s been no hiding my love for the GX7 over the past few years. In my mind, it has been the best balance of quality, size, feature and price yet available in the mirrorless landscape, playing to all of the benefits of a smaller format, mirrorless construction and very high end lens availability through the system partnership with Olympus, and third party collaboration and support from companies like Leica, Sigma, Voigtländer and many others.
With the GX8, Panasonic has brought us a newer, more beefed up version with the m4/3 system’s first 20mp sensor, dual IS feature and various 4K video and still modes in a camera that, while a bit bigger, can still fit into a large pocket with the right lens. A great machine, but is it truly a step forward in all ways? Having been shooting this camera extensively for the last month and a half, I feel comfortable giving my opinions and comparisons between the GX8 and it’s predecessor. C’mon in…