I’ve just passed the 9th anniversary of this particular blog, and about the 12th overall of me rambling on about camera gear, software and photographic technique online, and as Ladies Love Cool James once eluded to, I have seemingly come full circle. I’ve waded through and swam in many different pools. Technology has made some pretty exciting leaps over this time. After years with a few EOS bodies, I then got excited with the advent of mirrorless as an early adopter in Panasonic, then Olympus, Pentax, Sony, even GoPro while dabbling in various film formats with my 35mm and medium format cameras, and now for the first time in about 6 years, I’ve purchased a Canon branded product again. At first, I feared I’d made a horrible mistake, but as I’ve now had this camera for the last few months, I’m starting to come around to what it does offer me, and I think I may finally get rid of my Sony full frame gear.
C’mon in for my thoughts, why and where I feel its worth while, and where I foresee Canon going with this format.
Camera tech is a fascinating thing. What will companies provide us as customers, in hopes of luring us into their systems? I mentioned in my previous article that I’d been awaiting announcements on the update to Sony’s full frame mirrorless cameras before deciding on my own upgrade path, and chose to jump on the discounted a7RII deal as an update to my longstanding a7II.
My main interests were gaining an upgrade to image file quality in resolution, dynamic range and then overall performance upticks on the hardware side of things.
After a few months with the R, here is what I’ve found out…
I am mere hours of work away from posting my GX7 vs GX8 final comparison, but going through images from my work trip last week, I came across a snapshot I took while rushing to catch the tram. The sun rise was begging to be recorded, and I quickly pulled my GX8 (on sale for $200 off right now DOH! see it at B&H HERE and Adorama HERE) with the PL15mm out of the bag and literally stopped walking for a second to take this shot. The sky dominated the exposure, as it should have in this case, and just now I tried bringing up the shadows to see what I could get as I’d not really pushed any of the GX8 frames quite this far, in this way. Well, color me frigging impressed… have a look:
The Micro 4/3 system has really grown up in the last year. Sensor tech has taken a substantial step forward and the lens lineup has rounded itself out very nicely. Much has been eluded to regarding the origins of the OM-D E-M5 sensor, is it a reworked Panasonic sensor, a Sony sensor, an inhouse super secret sensor??? Oly came out and admitted that Sony is the manufacturer of the sensor in the OM-D E-M5 quelling the rumor mill, and of course, the G3/GX1 (and quite possibly the soon to be G5) sensor, built by Panasonic, is in fact different. That all said, I really wanted to see how these two sensors compared to one another as I have been very impressed by the G3. C’mon in and we’ll take a closer look at a few files.