In an industry that provides me with my very favorite of hobbies, the idea of perceived perfection in performance is often the benchmark. To this end, I too am guilty in that I often look for and test to make sure I have the best optics for whichever sensor I happen to have invested in. Often times, when we as photographers focus on measurable optical metrics, we can lose sight of the artistic, creative outlet that visual art such as photography can provide us. As the old adage goes as far as skill and creativity are concerned, sharpness is overrated.
I like to explore photography from a very large spectrum of angles, and find I enjoy myself most when I change my vantage from time to time. I don’t feel photography is one thing, and certainly feel for me that if it only provided me with one type of result, I’d not be nearly as happy. I like variety, I like difference, I like weird. For those who’ve been around for a while, you’ll probably remember articles I’ve written about Lensbaby products, and how the company resides just down the road from me. Back when this was a fledgling little blog, they offered me many opportunities to beta test new optics, and provide fodder for those looking for adaptable optics for their (at the time, young, new) mirrorless system cameras.
Say hello to the Lensbaby Trio 28mm f/3.5 lens. Three unique Lensbaby optics, built into a single lens for mirrorless systems, and I’ve been loving it. C’mon in for some examples and comparisons…
Now, I’ve yet to get my mitts on a Velvet 56 of my own, but I plan to, and I’ll review the crap out of it when I do 🙂 In the mean time, check out the announcement by Lensbaby today:
Lensbaby Announces Availability of Fuji X Mounts for Flagship Lenses
Company also adds popular mirrorless mounts for hugely successful Velvet 56 portrait lens
I may be speaking to a small audience on this one, but I cannot contain my momentary excitement, er, relief. For those GM1 shooters who’ve been using Lightroom or ACR, DXO or Silkypix, this news will be of little consequence. For those of us who use Apple’s Aperture, today is a good day. FINALLY (seriously Apple, this camera was announced last Fall and has been in shooters hands for almost 5 months!) Apple has decided to properly support the .RW2 RAW files from the Panasonic Lumix DMC-GM1.
Along with the GM1, below are the cameras that are now supported in Apple’s most recent Digital Camera RAW Update 5.04:
- Fujifilm X-E2
- Fujifilm X-T1
- Nikon D3300
- Nikon 1 AW1
- Panasonic LUMIX DMC-GM1
- Pentax K-3
If you’re a shooter with any of the above cameras, and use Aperture as your Digital Asset Management software, you can download the new version of Digital Camera RAW v5.04 – HERE or just go to your Software Update and it should be sitting there ready to go.
I will be testing the RAW files from the GM1 shortly and will have an article posted in due time. In the mean time, if you’d like to receive that when it is posted, feel free to enter your email at the top right of the page to subscribe or find me on Facebook or Twitter.
The season for the commercialization of spirituality (or, SFTCOS) is upon us and following suit, we have been absolutely bombarded with new offerings in the digital photography department. Taking the holidays out of it, and looking at it purely from a gear point of view, it is truly an exciting time to be shopping around for the best bang for your (or a loved one’s) buck.
Over the last 4 years that I’ve written this blog, I’ve been asked quite a few questions about which cameras, lenses, systems, et al, are the best. While I’ve chosen the gear I’ve chosen for my own personal reasons, there are so many others out there that offer their own set of pros and cons, and to put it plainly, there is no universal truth, nor answer to that question.
Come on in and I’ll give my take on which of the newly announced cameras over the last year or so are the most intriguing, interesting, best value or just plain confusing…