*Sony 5 axis IBIS vs EF Lens Based IS vs Panasonic 2 axis IBIS Comparison

 

 

ibis vs ois

Stabilization.  A term that, before a handful of years ago meant “tripod,” or physical bracing technique, has grown to provide various hardware solutions within our camera system of choice.  We as consumers have been lucky to have stabilization options within most all digital camera systems, and while image stabilization isn’t going to remedy all problems, it is certainly a nice feature to have.  

I’m awaiting a new Panasonic GX8 to arrive within the next couple weeks which will boast a new, dual IS system incorporating both an on sensor IS and lens based IS solution, but before that time, I wanted to really see how the first full frame, 5 axis on sensor/in body image stabilization (IBIS) system from Sony compares to a very good lens based image stabilization (IS) system in the Canon EF lenses, and a better than often credited 2 axis IBIS system from Panasonic’s first foray into on sensor stabilization, in the GX7.

Come on in to see my three different comparisons between these three different offerings, and see if there is a clear winner.

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*Micro 4/3 Portrait Lens Shoot Out! Leica Nocti vs Voigtländer Nokton vs Olympus

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Few systems can boast multiple, high quality portrait prime lenses.  Here I’m looking at three, very good lenses all in their own, respective rights.  Each, have their upside and for a given shooter, a very justifiable argument in favor of, over the others.

While there are two more proprietary portrait prime, focal length lenses with a micro 4/3 badge printed on them (the Leica 45mm f/2.8 macro and the new Lumix 42.5mm f/1.7) I have been able to justify buying all three of these for one reason or another over the last few years.  I must cull my quiver to make room (and provide budget) for new, fun things to review, so I need to decide which I’m going to hold onto.

C’mon in for some shots, and my thoughts…

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*A Pana-Leica Nocticron 42.5mm f/1.2 review – I never should have doubted you.

Leica DG Nocticron 42.5mm f/1.2 ASPH OIS Lens Panasonic

Now, readers may remember a mere 6 months or so ago, I purchased the Voigtländer 42.5mm f/0.95 lens (see that review on a new page HERE) for my micro 4/3 system setup.  I’ve loved that lens, but since its announcement I’ve been curious about the Leica branded Nocticron, largely because I do really enjoy shooting two of the other Leica branded lenses for the system in the Summicron 15mm and 25mm models.  The asking price for this portrait lens was always high for my taste, which was why I opted for the Voigt to begin with (which isn’t cheap in its own right, but 2/3 the retail price of the Nocti).  Well, as luck would have it, an open box/like new Nocticron came up for sale at near the same price as the Voigtländer and my curiosity couldn’t be held back, and now I’m tasked with figuring out which one to hold onto.

Here are my initial impressions on this beautiful lens.

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*The Mighty Might, Panasonic GM1 on super sale

iPhone 5s vs Panasonic Lumix GM1

Adorama has the Panasonic, micro 4/3 GM1 camera with 12-32mm pancake zoom for $598 which comes with a $200 Adorama Gift Card, dropping the price for the camera and lens to an effective $398!  The lens itself retails for $348, and while that may be a little steep for the lens itself, it is a true 24mm e-fov wide angle lens that is sharper than many of the comparable prime lenses for the system at like aperture, across this zoom lens’ range.  While the asking price for the lens itself might be debatable, the quality and sheer minuscule footprint cannot be.  Sure that $200 gift card is only valid at Adorama, but if you’re like me, you’ll find a way to eventually spend two hundred bucks on something there.

That’s a pretty sweet deal for this little powerhouse of a camera and lens that I feel is the best kit lens I’ve used for the system.  

You can see the deal, currently running at Adorama via my affiliate links below:

GM1 (Blue) with 12-32mm f/3.5-5.6 Lens (Silver) + $200 Adorama Gift Card HERE 

GM1 (Orange) with 12-32mm f/3.5-5.6 Lens (Silver) + $200 Adorama Gift Card HERE

If you’d like, you can read my thoughts on the GM1 HERE and the 12-32mm Kit Lens HERE.

I bought my GM1 as soon as it was available, and it has been with me every day since, literally.  With the right lenses, this camera is pocketable and is small enough to go anywhere.  It has the same sensor as the GX7, which is rumored to also be included in the soon to be announced G7, which is a great performing sensor, especially for RAW file capture, and in my test/review, out performed the Sony sensor in the Olympus OMD EM5 in most every way.  The GM5 is essentially the same exact camera with a hot shoe and an EVF.  Both great additions, but for this price, I think it would be hard to find a better overall value of size, performance and build quality offered with the GM1.  It’s a great little machine, and by little, I mean tiny.

You can stay posted on reviews, tutorials and deals by finding me on Facebook, Twitter, Flickr or Instagram or if you prefer to receive email alerts when articles are posted, feel free to add your email address at the top right of the page here.  

Happy shooting.

Tyson

*Micro 4/3 Super Tele Battle, Lumix 100-300 vs Oly 40-150+1.4xTC

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Since purchasing the Olympus MC1.4x Teleconverter to couple with the Oly 40-150mm f/2.8 lens, I’ve been curious to see if the extra reach provided me by my Panasonic 100-300mm lens is really necessary.  The 100-300 is a great lens in its own right, and for the price, provides an option that no other system can boast, so needless to say, I do think highly of it.  That said, the 100-300 can soften up a bit on the long end (and to stop anyone who may suggest the Oly 75-300, I still feel the Lumix is the better overall lens and optically up to snuff, so, no) the question is, do I really get much from the extra reach?

Well, come on in for my findings and decision…

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*Sony a7II, a game changer? My take on Sony’s newest FF cam, a user review.

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I’ve been shooting with the Sony a7II full frame, 24 megapixel mirrorless camera for almost a month now, which has given me a bit of time to really get a feel for it.  I don’t like to review cameras that I’ve not had the ability to fire off a few thousand shots with, so I’ve been using this camera almost exclusively since I got it, and now feel a bit better about praising and lambasting Sony on a few points.  C’mon in for my initial thoughts, and a few performance based tests…

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*Using the Metabones mk 4 EF>Emount smart adapter on the A7II, a user review.

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Who doesn’t fantasy shop?  I certainly do, and while I have done a really good job over the years of tempering my cravings to buy a newer full frame camera, I’d be lying if I said I haven’t been interested in the Sony Alpha 7 series.  Much like the NEX series (or “Axxxx”, or whatever it’s called now) I’ve always felt that Sony has spent their time and effort on camera bodies and sensor development, while largely ignoring the need to round out their optical offerings for either the APS-C or Full Frame mirrorless systems.  To be fair, and as a seeming act of nose thumbing in my direction, Sony released 4 brand new FE mount lenses a couple weeks ago.  This new set of lenses is certainly a step in the right direction as they’ve finally released more lenses than cameras for the FE mount.

Sony seems to be focused on leading the charge in sensor tech while slowly bringing new lenses to market, and other companies and systems have benefited from this sensor based model, namely Nikon and Olympus.  While researching my options in the world of Canon full frame land (I also shoot a Canon 5D2), I kept tabs on the A7 series, and when the A7II was announced with IBIS, and all the other bells and whistles for the same price as the aging 6D, I decided to dig deeper.

I’ve been looking to update my 5D2 for a little while.  It still does most of what I need it to, but I’ve been walking on thin ice after having sold and traded off my other Canon DSLR bodies leaving me with no backup.  

Most of the work I do with the Canon is in interior work, so I never saw it as a huge liability seeing that I could, in a pinch, shoot with my micro 4/3 setup to cover me.

Now, the Metabones adapters are well documented, and with the new mark 4, has seemingly remedied most of the gripes I’ve read about, namely the internal surface reflections by way of a series of matte bezels inside the adapter.  One problem I’d come across is that it was hard to find good info with use on this new A7II.  Well, here are my initial thoughts…

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