*Quick look! Check out the dynamic range recovery on the GX8, which also happens to be on sale!


I am mere hours of work away from posting my GX7 vs GX8 final comparison, but going through images from my work trip last week, I came across a snapshot I took while rushing to catch the tram.  The sun rise was begging to be recorded, and I quickly pulled my GX8 (on sale for $200 off right now DOH! see it at B&H HERE and Adorama HERE) with the PL15mm out of the bag and literally stopped walking for a second to take this shot.  The sky dominated the exposure, as it should have in this case, and just now I tried bringing up the shadows to see what I could get as I’d not really pushed any of the GX8 frames quite this far, in this way.  Well, color me frigging impressed… have a look:

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*Pana-Leica 15mm f/1.7 ASPH Lens on Sale!

leica 15mm on sale!

This little gem is on sale for $70 off right now.  I’m not normally a sale pumper unless it is for stuff I use, I like and I would recommend.  If you’ve been on the fence, or waiting for this lens to drop a little, here’s a great opportunity to save a good amount of money on a great little lens.

Find the Panasonic Leica DG Summilux 15mm f/1.7 Aspherical lens on sale at Adorama HERE and B&H HERE.

If you’d like to see my review on the Leica 15mm, you can read that HERE.

Or, if you’d also like to read the head to head (to head) between the Leica 15, and the two Lumix Pancakes (14mm and 20mm) I did a comparison article HERE.

It is a great mate to any of the micro 4/3 cameras, especially the GM bodies, and is compact and lightweight enough to go largely unnoticed in the bag.  I’ve been shooting the 15mm on the new GX8 with its 20mp sensor providing great results for me.


*Using the Kipon EF to m4/3, smart adapter. Things are getting interesting w/ @adorama

kipon ef to m4/3 af adapter

The Kipon EF Lens to Micro 4/3 mount smart adapter is a fairly big deal.  Not just because it enables aperture adjustment for the electronically controlled EF line of lenses when adapted to a micro 4/3 camera body, but it has also bridged the proprietary technology to gain the use of full auto focus and lens based image stabilization capabilities.  Having followed a fairly similar path into the micro 4/3 world as I would imagine many others, I came from a long standing investment in the Canon system.  I still shoot my Canon full framers, and have compiled some very nice glass over the years that tends to sit on the shelf more often now that I shoot the micro 4/3 system.  I’ve been waiting for a solution to merge my two beloved systems, and Kipon has produced it.

Enter the new, Kipon EF>m4/3 Smart Adapter. Come on in for some insight and my experience over the last month…

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*Micro 4/3 Portrait Lens Shoot Out! Leica Nocti vs Voigtländer Nokton vs Olympus


Few systems can boast multiple, high quality portrait prime lenses.  Here I’m looking at three, very good lenses all in their own, respective rights.  Each, have their upside and for a given shooter, a very justifiable argument in favor of, over the others.

While there are two more proprietary portrait prime, focal length lenses with a micro 4/3 badge printed on them (the Leica 45mm f/2.8 macro and the new Lumix 42.5mm f/1.7) I have been able to justify buying all three of these for one reason or another over the last few years.  I must cull my quiver to make room (and provide budget) for new, fun things to review, so I need to decide which I’m going to hold onto.

C’mon in for some shots, and my thoughts…

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*Lensbaby Velvet 56 for Micro 4/3 Review! w/ @SeeInANewWay


There has been a lot of buzz surrounding the newest lens in the Lensbaby family.  The Velvet 56 offers a bit of a departure from what Lensbaby has been known by in that it has forgone the ability to selectively manipulate the plane of focus into a point or tangential plane, with most lenses offering the ability to be swapped into or out of one of their lens housing bodies like the Composer Pro, or Scout.

The new Velvet 56 is a solidly built, fixed focal length 56mm f/1.6 prime lens that has a different trick up its sleeve.  In days of yore, many portrait photographers used lenses that would intentionally soften contrast and the overall image, aptly called “soft focus” lenses.  

Enter the Velvet 56, and as its name suggests, it is as smooth as Barry White by candlelight.  C’mon in for some sample shots and my thoughts…

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*Lensbaby Announces the Popular Velvet 56 in various Mirrorless Mounts along with new lenses for the Fuji X mount!


Now, I’ve yet to get my mitts on a Velvet 56 of my own, but I plan to, and I’ll review the crap out of it when I do :)  In the mean time, check out the announcement by Lensbaby today:

Lensbaby Announces Availability of Fuji X Mounts for Flagship Lenses 

   Company also adds popular mirrorless mounts for hugely successful Velvet 56 portrait lens

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*A Pana-Leica Nocticron 42.5mm f/1.2 review – I never should have doubted you.

Leica DG Nocticron 42.5mm f/1.2 ASPH OIS Lens Panasonic

Now, readers may remember a mere 6 months or so ago, I purchased the Voigtländer 42.5mm f/0.95 lens (see that review on a new page HERE) for my micro 4/3 system setup.  I’ve loved that lens, but since its announcement I’ve been curious about the Leica branded Nocticron, largely because I do really enjoy shooting two of the other Leica branded lenses for the system in the Summicron 15mm and 25mm models.  The asking price for this portrait lens was always high for my taste, which was why I opted for the Voigt to begin with (which isn’t cheap in its own right, but 2/3 the retail price of the Nocti).  Well, as luck would have it, an open box/like new Nocticron came up for sale at near the same price as the Voigtländer and my curiosity couldn’t be held back, and now I’m tasked with figuring out which one to hold onto.

Here are my initial impressions on this beautiful lens.

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