*Brand New, adjustable Wayfarer Strap. Comfy, elegant and on sale!!!

 

 

I get a lot of enjoyment from figuring out more efficient and elegant ways to design camera straps.  One question I’ve fielded multiple times has been the desire to see an adjustable, nautical rope shoulder strap.  The Regatta strap has done well, and has been well received, but for me, it posed two problems.  First, the adjustability.  Tricky part with rope is that there are few ways to actually allow for adjustment to length without bulky hardware.  Secondly, while it does well for rigs up to 2-2.5 lbs, after that, a single rope can become a little uncomfortable while out and about if carrying your camera for long periods of time.  Enter the brand new Wayfarer shoulder strap which remedies both of those issues, and I’m really happy with how they’ve come out.  Available in 7 different colorways, at Nautistraps.com now, you can also get them for 15% off as an introductory sale offer this week, using the code “NAUTIWAY15” at checkout.

C’mon in to see colors and learn a little bit more about the design process…

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*Lensbaby Trio28, embrace the weird, wild and wonderful world of imperfect. w/@seeinanewway

In an industry that provides me with my very favorite of hobbies, the idea of perceived perfection in performance is often the benchmark.  To this end, I too am guilty in that I often look for and test to make sure I have the best optics for whichever sensor I happen to have invested in.  Often times, when we as photographers focus on measurable optical metrics, we can lose sight of the artistic, creative outlet that visual art such as photography can provide us.  As the old adage goes as far as skill and creativity are concerned, sharpness is overrated.

I like to explore photography from a very large spectrum of angles, and find I enjoy myself most when I change my vantage from time to time.  I don’t feel photography is one thing, and certainly feel for me that if it only provided me with one type of result, I’d not be nearly as happy.  I like variety, I like difference, I like weird.  For those who’ve been around for a while, you’ll probably remember articles I’ve written about Lensbaby products, and how the company resides just down the road from me.  Back when this was a fledgling little blog, they offered me many opportunities to beta test new optics, and provide fodder for those looking for adaptable optics for their (at the time, young, new) mirrorless system cameras.

Say hello to the Lensbaby Trio 28mm f/3.5 lens.  Three unique Lensbaby optics, built into a single lens for mirrorless systems, and I’ve been loving it.  C’mon in for some examples and comparisons…

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*New Nauti Straps Speed 2 Sling Straps, adjustable and ready to go!

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The Speed sling strap has been a mainstay for me, but over the last year, I’ve gotten feedback that an adjustable version would be something of interest to many.  Well, I sourced a lightweight, but sturdy cam lock buckle to fit the strap material, re-designed how I was splicing the clasp on, and locking the strap, and boom.  New Speed 2.  

Weighing in at a mere 2.2 ounces, and utilizing the same high strength materials, stainless steel quick release clasp and proprietary hand built design, the new Speed 2 sling strap is perfect for mirrorless and compact cameras, for on the go photographers.

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Available in Blue/White, Yellow/Gray, Orange/Gray, Red/White, Black/White and a new Solid Black with 3M® reflective tracer, the new Speed 2 is ready to go over at NautiStraps.com now.  The straps can adjust from 16″-29″ (the original Speed sling strap was a fixed 25″) and are designed to wear across your body as a sling, attaching to the camera via a quick release spring clasp and 170lb test split ring (included).  I like being able to switch between a Speed sling, and other straps using the quick release clasp.  Especially handy when wanting to get straps out of the way on the tripod.

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Available now for $48 including delivery (in the US), and for blog readers you can get a 15% discount for the next week (discount runs through Sunday, February 12th) using code “SPEED2” at checkout, these guys are ready to rock.  As always, shipping via the US Postal Service is free within the US, and is a flat $10 rate for anywhere outside of the US.

Thanks for all of the support over the last year as I’ve been working on all of these straps.  It means a lot, and I greatly appreciate the feedback and conversations I’ve had with many of you guys over this time.

I hope everyone is well.  Connect with me via  Facebook, Twitter, Flickr and Instagram.  

To stay up on new articles, you can add your email address at the top of the page (via standard browser) or below if viewing on a mobile platform.

Happy shooting,

Tyson

*Olympus m.Zuiko 7-14mm f/2.8 PRO lens, a user review w/ @getolympus

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Ultra wide angle options for every system, tend to be expensive and/or compromised.  It can be difficult to optically correct and transfer light onto these digital sensors which are far less forgiving than film ever was, especially outside of the center frame.  Add to that, with various “crop” formats, the physical focal length needed to achieve these angles of view has to be remarkably short which provides other engineering challenges.  Panasonic saw the need for an ultra wide angle zoom lens from the very early stages of the Micro 4/3 format, and has offered a very solid 7-14mm f/4 lens for years, but many system shooters wanted both a faster option, along with one that was environmentally sealed for outdoor work.  Olympus answered that call with the m.Zuiko 7-14mm f/2.8 PRO lens.  A substantial, weather sealed, tank like 14-28mm f/2.8 equivalent lens (in light gathering you FF fanatic naysayers, you) that costs a pretty penny, especially considering the Panasonic Lumix option at close to half the price, it’s not necessarily one for the budget minded shooter.  It is however, a pretty damn stellar performer.  I have had this lens for the better part of the year, and I’ve just returned from a trip to Portugal and Holland where I used this lens on the GX8 for my travel documentation needs.  I have some other shots sprinkled in, but I want to give a bit of perspective when using this lens as a travel companion. C’mon in for some shots and thoughts…

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*40% off the Speed Sling Straps plus free shipping (in US) while they last!

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Happy Tuesday from an extremely cold, wet day in the Pacific Northwest.  Here in Portland, we’ve had more snow on the ground for a longer period of time than I can ever remember seeing in my years.  This has led to mass school cancellations resulting in a Lord of the Flies type atmosphere around here with our kids and the others in the neighborhood.  They’ve literally had one day of school since they had nearly 3 weeks of winter break.  Shit has gotten serious.  By serious, I mean seriously mental.  This may explain why I’m feeling the need to move some straps as I’ve also been home, working and staring at these things on the shelf.

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Normally $42, all Speed Sling Straps are available for 40% off when using code “SPEED40” at checkout which drops it down to $25.20 with free shipping in the US or a flat $10 international rate. (go to Nautistraps.com HERE)  Good while the stock I have lasts, and currently, I’ve got every color stocked up – solid black, black/white, blue/white, red/dk gray, yellow/dk gray and orange/dk gray.  

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The Speed Sling is a lightweight, comfortable shoulder sling style strap with one connecting point, worn across body and attaching to the camera via a 170lb test split ring and steel spring quick release clasp.  A great strap for compacts and mirrorless system cameras.  I use these with my Sony a7II and Panasonic GX8 all the time.  When wanting to switch it to a handheld, I wrap the strap a couple times around my wrist and it works wonderfully.  Find the Speed Sling, and all my other designs at Nautistraps.com 

Use code “SPEED40” to get 40% off the Speed Sling straps while I’ve got them in stock.

Find Nauti Straps on Instagram HERE, and tag me #ishootnauti to share with the NS fam.

Thanks and happy shooting,

Tyson

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*Lensbaby Announces the Popular Velvet 56 in various Mirrorless Mounts along with new lenses for the Fuji X mount!

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Now, I’ve yet to get my mitts on a Velvet 56 of my own, but I plan to, and I’ll review the crap out of it when I do 🙂  In the mean time, check out the announcement by Lensbaby today:


Lensbaby Announces Availability of Fuji X Mounts for Flagship Lenses 

   Company also adds popular mirrorless mounts for hugely successful Velvet 56 portrait lens

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*Sony a7II, a game changer? My take on Sony’s newest FF cam, a user review.

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I’ve been shooting with the Sony a7II full frame, 24 megapixel mirrorless camera for almost a month now, which has given me a bit of time to really get a feel for it.  I don’t like to review cameras that I’ve not had the ability to fire off a few thousand shots with, so I’ve been using this camera almost exclusively since I got it, and now feel a bit better about praising and lambasting Sony on a few points.  C’mon in for my initial thoughts, and a few performance based tests…

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