*Sony brings two new, sexy ultrawide zooms to the Full Frame party. JUST ANNOUNCED!!!

We’ve heard whispers of the Sony FE 16-35mm GM lens bandied about, and perhaps those in the know have also been hearing about an even wider option, but the FE 12-24 f/4 lens just caught me by surprise!

While pre-orders won’t be taken until this Friday, you can submit to have an email alert once they are available via these links which you can see more about these lenses, their specs and will take you directly to B&H:

Sony FE 16-35mm f/2.8 GM HERE

Sony FE 12-24mm f/4 G HERE

B&H lists the specs of the 16-35 f/2.8 lens as follows:

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • Two Extra-Low Dispersion Elements
  • Three Aspherical and Two XA Elements
  • Nano AR and Fluorine Coatings
  • Two Direct Drive SSM AF Groups
  • Focus Hold Button, AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Eleven-Blade Circular Diaphragm

…And the 12-24 f/4 lens is listed at B&H as such:

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2 to f/22
  • Four Aspherical Elements
  • One Super ED and Three ED Elements
  • Nano AR Coating
  • Direct Drive Super Sonic Wave Motor
  • Focus Hold Button, AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Seven-Bladed Rounded Diaphragm

Obviously, the B&H site has mis-listed the max aperture on the 12-24, but both of these lenses look really, really good on paper.  How they test out optically is yet to be seen, but I’d imagine it won’t take long for us to get many comprehensive reviews very soon.  These are going to be two popular lenses.

The 16-35 looks very nice, and I’m sure will be an extremely popular UWA zoom for pro use, the price is very high in my opinion.  Reminds me of the Canon debate between their EF 16-35mm f/2.8 L and EF 17-40mm f/4 L lenses where the extra stop costs nearly twice as much.  For me personally, I use an ultra wide zoom for interiors and landscapes which usually see me stop down to f/8- f/11 or so, and will be shot on a tripod.  That made the decision for me an easy one.  I see a similar situation here with Sony’s offerings.  The 12-24mm lens looks pretty damn intriguing, and while the price is still very steep, by comparison to the 16-35, for my UWA use, I’d be opting for the wider, slower zoom myself, assuming these both test well optically.

Both are dust and moisture resistant meaning they should do well to hold up in inclement weather for outdoor shooting, as we should expect for lenses like these, targeted and priced for professional use.

Anyhoo, keep an eye out for these bad boys.  Should go some way in helping round out Sony’s full frame lens game for those serious, and deep pocketed shooters.

Cheers, and happy shooting,

Tyson

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*Sigma Art 85mm f/1.4 – Power, finesse, fashion and function. A user review…

Hello dear friends.  There has been no secret here on the bloggings, surrounding my desire to find the perfect 85mm lens.  It has become my own photo gear holy grail, and a fun journey it has been.  I’ve owned, sold, used, borrowed or rented at least a dozen different 85mm (or equivalent) lenses for a few different systems over my years.  It’s probably the single most fascinating focal length, for me.  The most popular classification for a lens of this focal length, is going to be portraiture.  It balances minimal distortion, with flattering spacial compression when working at traditional distances for portraits, and is a go to for many portrait photographers.  I do like a good portrait session, but a mid range tele lens like a nice, fast 85mm can offer much more than merely head and shoulder shots.  I want to look at this lens on its own at first.  How sharp is it?  Bokeh?  What kind of value does is present at its price point for a photographer like me, or you?  Later, I’ll be comparing this lens to a couple other fast portrait lenses that I have  here on the blog, but for now let’s see how this beautiful new Sigma Art lens stands on its own…

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*Holy S#!† The new FW updates for the @Sony a7II and #Metabones EF smart adapter have created a monster.

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Sorry for my dirty, foul mouth. I’m just blown away by how much better my a7II and Canon EF lens setup has become overnight.  Long overdue, the Sony a7II got the much ballyhooed Uncompressed 14 bit RAW update (as opposed to that weird 11/7 compressed stuff, which is still nicely, an option) along with the return of the on sensor Phase Detection AF to the a7, pro-sumer camera with third party lenses.  Why they kept this out to begin with is beyond me, and really one of my gripes with the Sony approach as a whole, but now that it’s here, it is friggin’ amazing.  It is like I have an entirely new camera.  C’mon in for firmware update links, and a video comparison between the auto focus speed and performance from the original firmware on the a7II and Metabones mark IV adapter, and now that they’ve both very recently been updated…

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