I am mere hours of work away from posting my GX7 vs GX8 final comparison, but going through images from my work trip last week, I came across a snapshot I took while rushing to catch the tram. The sun rise was begging to be recorded, and I quickly pulled my GX8 (on sale for $200 off right now DOH! see it at B&H HERE and Adorama HERE) with the PL15mm out of the bag and literally stopped walking for a second to take this shot. The sky dominated the exposure, as it should have in this case, and just now I tried bringing up the shadows to see what I could get as I’d not really pushed any of the GX8 frames quite this far, in this way. Well, color me frigging impressed… have a look:
Panasonic has done well to progress the hybrid market bringing industry leading video features to remarkably affordable price points over the years. The GH line has always pushed into new territory with budget oriented motion shooters compared to all else available on the market. Along with cutting edge video features, they’ve also done well to provide competent still shooting devices incorporated into these wonderful, little mirrorless cameras. The GF and GX lines have historically incorporated a more still shooter driven skill set in a smaller, rangefinder style body while adding admirable video features as well.
There’s been no hiding my love for the GX7 over the past few years. In my mind, it has been the best balance of quality, size, feature and price yet available in the mirrorless landscape, playing to all of the benefits of a smaller format, mirrorless construction and very high end lens availability through the system partnership with Olympus, and third party collaboration and support from companies like Leica, Sigma, Voigtländer and many others.
With the GX8, Panasonic has brought us a newer, more beefed up version with the m4/3 system’s first 20mp sensor, dual IS feature and various 4K video and still modes in a camera that, while a bit bigger, can still fit into a large pocket with the right lens. A great machine, but is it truly a step forward in all ways? Having been shooting this camera extensively for the last month and a half, I feel comfortable giving my opinions and comparisons between the GX8 and it’s predecessor. C’mon in…
The Kipon EF Lens to Micro 4/3 mount smart adapter is a fairly big deal. Not just because it enables aperture adjustment for the electronically controlled EF line of lenses when adapted to a micro 4/3 camera body, but it has also bridged the proprietary technology to gain the use of full auto focus and lens based image stabilization capabilities. Having followed a fairly similar path into the micro 4/3 world as I would imagine many others, I came from a long standing investment in the Canon system. I still shoot my Canon full framers, and have compiled some very nice glass over the years that tends to sit on the shelf more often now that I shoot the micro 4/3 system. I’ve been waiting for a solution to merge my two beloved systems, and Kipon has produced it.
Enter the new, Kipon EF>m4/3 Smart Adapter. Come on in for some insight and my experience over the last month…
Stabilization. A term that, before a handful of years ago meant “tripod,” or physical bracing technique, has grown to provide various hardware solutions within our camera system of choice. We as consumers have been lucky to have stabilization options within most all digital camera systems, and while image stabilization isn’t going to remedy all problems, it is certainly a nice feature to have.
I’m awaiting a new Panasonic GX8 to arrive within the next couple weeks which will boast a new, dual IS system incorporating both an on sensor IS and lens based IS solution, but before that time, I wanted to really see how the first full frame, 5 axis on sensor/in body image stabilization (IBIS) system from Sony compares to a very good lens based image stabilization (IS) system in the Canon EF lenses, and a better than often credited 2 axis IBIS system from Panasonic’s first foray into on sensor stabilization, in the GX7.
Come on in to see my three different comparisons between these three different offerings, and see if there is a clear winner.
Few systems can boast multiple, high quality portrait prime lenses. Here I’m looking at three, very good lenses all in their own, respective rights. Each, have their upside and for a given shooter, a very justifiable argument in favor of, over the others.
While there are two more proprietary portrait prime, focal length lenses with a micro 4/3 badge printed on them (the Leica 45mm f/2.8 macro and the new Lumix 42.5mm f/1.7) I have been able to justify buying all three of these for one reason or another over the last few years. I must cull my quiver to make room (and provide budget) for new, fun things to review, so I need to decide which I’m going to hold onto.
C’mon in for some shots, and my thoughts…
Currently, and while they last, Adorama is selling the GX7 with the 14-42 kit zoom for $547.99 which also includes a $50 Adorama Gift Card. This might be the last cache of new GX7 kits as they make way for a replacement later on this year.
The GX7, while heading toward the sunset, and rumored to be replaced this Fall, is a killer camera. It still has the current Panasonic sensor used in most every Panasonic camera from the last couple years, which is a great sensor, especially for RAW shooters like me. If you’re looking for a good, all around body that incorporates IBIS, an integrated tilting EVF, WiFi, Focus Peaking, 1080p at 60fps, and a slew of other bells and whistles, this is a great deal.
You can find them via Adorama here:
I’ve been a big fan of the GX7, and feel it has been the best overall, micro 4/3 camera yet… for me at least. Great ergonomics, great features, direct external control for everything you need along with an intuitive and logical UI. It has a very good balance of size reduction while being very comfortable in the hand, even with larger optics, and I like mine very, very much.
A great camera for a great price.
If interested in why I’ve grown to praise the GX7 quite as much as I have, you can read my personal reviews and comparisons via these following links:
Now, readers may remember a mere 6 months or so ago, I purchased the Voigtländer 42.5mm f/0.95 lens (see that review on a new page HERE) for my micro 4/3 system setup. I’ve loved that lens, but since its announcement I’ve been curious about the Leica branded Nocticron, largely because I do really enjoy shooting two of the other Leica branded lenses for the system in the Summicron 15mm and 25mm models. The asking price for this portrait lens was always high for my taste, which was why I opted for the Voigt to begin with (which isn’t cheap in its own right, but 2/3 the retail price of the Nocti). Well, as luck would have it, an open box/like new Nocticron came up for sale at near the same price as the Voigtländer and my curiosity couldn’t be held back, and now I’m tasked with figuring out which one to hold onto.
Here are my initial impressions on this beautiful lens.