*Two Brand New Camera Straps from Nautistraps.com #ishootnauti

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Hi All!  I’ve been hard at work on the Nauti Straps, designing and prototyping designs over the last few months.  Two of which are now ready to ship!  Enter, the new Tommy Wrist strap, and the Genoa Shoulder strap.

The Tommy Wrist strap (find it HERE) is a brand new design, using a hand spliced, closed loop in what I’m calling Bavarian Check patterned Red/Black and Blue/Black (will be available very soon!)  with a third option of solid Black with a reflective tracer (available now!).  

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The Tommy is the first wrist strap to employ the stainless steel, quick release spring clasp which enables a fast switch between a wrist or shoulder strap.  This is how I tend to use my straps now, wanting to use wrist straps at times, and shoulder straps others, so adding a QR clasp on these fit the bill.  

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The new Genoa Shoulder strap (find it HERE) uses a 3/4″ flat strap (the Speed and Vector straps use a 1/2″ wide material), fitted with two stainless steel quick release spring clasps, hand spliced into the material with a fixed, finished length of 46″.  Able to be utilized as a traditional neck strap, or cross body sling strap, the Genoa is a strong, comfortable and light weight option for any style of photographer.  

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The rounded construction provides much softer edges than a standard flat shoulder strap.   The rounded design allows more weight to lay more comfortably on your neck without cutting into you.   Available now in mottled Blue/Black, Red/Black or solid Black with a reflective tracer for better visibility when roaming or riding the streets in the darker hours, the Genoa is ready to go.  

The Tommy weighs in at a mere 1 ounce and comes with a 170lb test stainless steel split ring, and rubber O ring to fit to the camera.  It will run you $35 with free shipping in the US.

The Genoa weighs 2.7 ounces, and is supplied with two 170lb test stainless steel split rings and two rubber O rings.  It comes in at $45, also with free shipping in the US.

All shipping within the US is free, and we offer a flat $10 rate for shipping to anywhere else in the world (no matter the amount of straps purchased).  If you have any photographer friends or family, we’re well stocked and ship straps as soon as we get orders, so let us know!  (the USPS says we have until December 19th to insure that deliveries (within the US) arrive in time for Christmas.  International shipping via the USPS normally takes anywhere from 7-21 days, depending on the destination.

Visit us at NautiStraps.com, and don’t forget to sign up to receive our Nauti blog posts with announcements and sales HERE.  I’m currently working on a couple new designs, which I’m just awaiting a couple more components for, so stay tuned!

Find Nauti Straps on Instagram HERE and help us spread the word. #ishootnauti

Thanks all.  Happy holidays, and happy shooting!

Tyson (and Rachael)

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*The Panasonic Lumix GX8 vs GX7 showdown. How much of an upgrade is it, really? Well… w/ @LumixUSA

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Well, my friends, I have been enjoying the comparison between these two great cameras, and in this article I would like to present my opinions and findings regarding how they directly compare to each other in regards to performance and file output, once and for all (for my purposes, anyway).  Here’s my disclaimer… I don’t work for Panasonic.  I’ve always researched and purchased my own gear, and do these tests in an attempt to help others like myself see what I wish that I could have seen in cases before buying stuff.  Enjoy and I hope this shows you something you’ve not yet seen.

I’ve been looking at the comparison from the angle of one who is curious about replacing my historically favorite micro 4/3 camera in the GX7, with it’s intended upgrade in the GX8.  I’ve now had the GX8 for a couple months and have shot a few thousand images with it, so I have been able to get a good feel for how it handles, performs and how the files look when digging into them.  With the GX8, Panasonic has given us an increase in size, resolution and features, which have all looked good on paper, and I’m now wanting to really see that come through in practice, which in most cases, it has.

Here is what I’ve seen, and what I’ve found…

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*Panasonic GM1 Reviewed – Say hello to my little friend

gm1 and friends

I have spent the better part of the last month shooting with this camera almost exclusively.  I wanted to really get a feel for this tiny machine, its ins and outs, before I wrote up any type of review.  While being the smallest interchangeable lens system camera body currently available, it certainly has some ergonomic drawbacks, but that begs the question, who is this camera for, and can it be a compliment or even replacement for another of the micro 4/3 system cameras, even {gasp} a larger system camera?  Well…

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*Lumix GM1, mine’s smaller. A quick look at the smallest MILC camera.

this little piggy...

How small is too small?  How about a micro 4/3 camera that is smaller than most any fixed lens compact sporting a 1/1.6″ or 1/1.7″ sensor (not to mention any of the 1″ sensor cams, or even most compact p&s cameras I’ve owned)?  Well, I’d heard that the Panasonic Lumix GM1 was small, but I don’t think I was prepared for HOW small this thing actually is.  Have a look…

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*The GX7 vs the OM-D E-M5, battle for my affection, Round 3 – IQ, Interface, Features and the Final Decision

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These two have gone toe to toe, and we’re all tired.  If you’re not, believe me you will be, this final round is a long one, and really the reason I needed to break this into three parts.  Now it’s time to see which, if either can really pull itself ahead and prove to be a better choice.  I use the word choice because, it will come down to a personal preference, or needed feature for any given shooter because both are great cameras.  I’m finding that it is a decision based more on what each camera doesn’t have as opposed to the qualities that they do.  Both are great, but what can you live without?  Here’s round three, the round to end all others…at least for me and my decision making process.

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*The GX7 vs the OM-D E-M5, battle for my affection, Round 2 – Build Quality and Ergonomics

BattleRound2blog - Version 2

The first round produced a bit of a shocker with the GX7 pulling out a surprise partial victory in the IBIS battle (read round 1 here).   The higher res EVF and LCD also fell in favor to the Panasonic.  Now, let’s look at the physical build and ergonomic qualities of these two cameras… ROUND 2!

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*The GX7 vs the OM-D E-M5, battle for my affection, Round 1 – IBIS, EVF’s & LCD’s

Battle

In this corner, Panasonic’s new, compact, fully featured camera weighing in at around a grand, the DMC GX7!  And his opponent, the current system champion in this price range, with many of the same features and weighing in at a cool grand as well, the Olympus OM-D E-M5!

I’ve had the GX7 for about a month now and feel that I’ve been able to give it a proper run through in a variety of shooting scenarios and have been comparing it to my OMD EM5 just about every step of the way.  I tried originally to compare these two cameras against each other in all ways I find them to differ, but the article has gotten ridiculously long, so we will break this into 3 rounds…  So, how do these two, high end pro-sumer micro 4/3 models compare to one another?   C’mon in and I’ll give you my opinion on where each of these cameras wins against the other starting with the in body image stabilization, electronic viewfinders and LCD screens.  Round 1, FIGHT:

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