*Lens by lens on the Sony a7II…

lens by lens on the sony a7ii This is purely a personal journey here.  A little retrospective look back at the last couple months to see what I’ve been getting out of the new Sony a7II  (Sony Alpha a7II Mirrorless Digital Camera -Body Only- at B&H HERE).  I tend to spend a lot of time looking at specific things in regard to a lens or camera for the blog here, and I figured I’d compile a few shots from the combination of lenses I’ve been using.  I have mostly used my Canon EF mount lenses via the Metabones adapter (review on that HERE), but have recently acquired the Zeiss 55mm f/1.8 because I felt the camera deserved to also be shot with a high quality native mount lens, plus I was curious to see how it handled this new, crazy feature all the kids talk about in auto focus. Click any image below to see a larger version, and let me know your thoughts in the comments. Less talk, more rock as it were.  Without further ado… Continue reading

*Sony a7II, a game changer? My take on Sony’s newest FF cam, a user review.

 

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I’ve been shooting with the Sony a7II full frame, 24 megapixel mirrorless camera for almost a month now, which has given me a bit of time to really get a feel for it.  I don’t like to review cameras that I’ve not had the ability to fire off a few thousand shots with, so I’ve been using this camera almost exclusively since I got it, and now feel a bit better about praising and lambasting Sony on a few points.  C’mon in for my initial thoughts, and a few performance based tests…

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*Using the Metabones mk 4 EF>Emount smart adapter on the A7II, a user review.

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Who doesn’t fantasy shop?  I certainly do, and while I have done a really good job over the years of tempering my cravings to buy a newer full frame camera, I’d be lying if I said I haven’t been interested in the Sony Alpha 7 series.  Much like the NEX series (or “Axxxx”, or whatever it’s called now) I’ve always felt that Sony has spent their time and effort on camera bodies and sensor development, while largely ignoring the need to round out their optical offerings for either the APS-C or Full Frame mirrorless systems.  To be fair, and as a seeming act of nose thumbing in my direction, Sony released 4 brand new FE mount lenses a couple weeks ago.  This new set of lenses is certainly a step in the right direction as they’ve finally released more lenses than cameras for the FE mount.

Sony seems to be focused on leading the charge in sensor tech while slowly bringing new lenses to market, and other companies and systems have benefited from this sensor based model, namely Nikon and Olympus.  While researching my options in the world of Canon full frame land (I also shoot a Canon 5D2), I kept tabs on the A7 series, and when the A7II was announced with IBIS, and all the other bells and whistles for the same price as the aging 6D, I decided to dig deeper.

I’ve been looking to update my 5D2 for a little while.  It still does most of what I need it to, but I’ve been walking on thin ice after having sold and traded off my other Canon DSLR bodies leaving me with no backup.  

Most of the work I do with the Canon is in interior work, so I never saw it as a huge liability seeing that I could, in a pinch, shoot with my micro 4/3 setup to cover me.

Now, the Metabones adapters are well documented, and with the new mark 4, has seemingly remedied most of the gripes I’ve read about, namely the internal surface reflections by way of a series of matte bezels inside the adapter.  One problem I’d come across is that it was hard to find good info with use on this new A7II.  Well, here are my initial thoughts…

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*Welcome the newest member of the TRP family, the Sony A7mk2.

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Well, I’ve pulled the trigger.  This is the first Sony camera that I have personally owned, although I’ve tested others, and shot with cameras that also use a Sony sensor, so it is a bit of a thing for me.  In the coming weeks I’ll be posting on my thoughts, findings, results and comparisons with this new intriguing mirrorless full frame camera.  For now, come on in to see the unboxing and read a few of my initial thoughts on the camera…

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*Another set of this guy’s opinions, or Mirrorless Lens buying guide!

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As requested from the camera body shopping guide post (thanks Tim and Chris), here are my opinions on the best lenses for the various mirrorless systems.  Keep in mind that I have not shot extensively with all of these lenses, or at least, many of the lenses for systems that aren’t the micro 4/3 system aside from the tire kicking in stores or when getting the chance to shoot friend’s gear, so my opinion is based on minimal use combined with personal intrigue and web based research.  Because I don’t own an X series or Alpha E (NEX, etc) camera body, I have not been able to access many of the lenses on offer for any period of time, but there are a few I have, as well as those that I would certainly look long and hard at if I was invested in these systems.  As for the micro 4/3 lenses, I have those down pretty well.  C’mon in and I’ll lay out my faves…

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*OM-D E-M5 vs G3… what’s this about a new sensor?

The Micro 4/3 system has really grown up in the last year. Sensor tech has taken a substantial step forward and the lens lineup has rounded itself out very nicely. Much has been eluded to regarding the origins of the OM-D E-M5 sensor, is it a reworked Panasonic sensor, a Sony sensor, an inhouse super secret sensor??? Oly came out and admitted that Sony is the manufacturer of the sensor in the OM-D E-M5 quelling the rumor mill, and of course, the G3/GX1 (and quite possibly the soon to be G5) sensor, built by Panasonic, is in fact different. That all said, I really wanted to see how these two sensors compared to one another as I have been very impressed by the G3. C’mon in and we’ll take a closer look at a few files.

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*Lumix G3 vs the mighty might GF1, or why I chose to upgrade my MILC.


When it came time to upgrade my beloved GF1, I waited for its true successor to be revealed.  The GX1, not the GF2 nor GF3, is seen by most GF1 users as the camera that has had the GF1’s torch passed to it.  I’ve spent two solid years with the GF1 and have finally felt that the current crop of mirrorless system cameras out there have upped the game enough for me to trade it in.  I surprised even myself when I decided on the G3 over the GX1, NEX5n, EP3 or NEX7.  A budget conscious option which I feel punches well above its weight.  I’ve got some low light test shots, size comparison shots and the like.  C’mon in and I’ll explain why I feel the G3 was the best option for a shooter like me…

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