*Olympus m.Zuiko 7-14mm f/2.8 PRO lens, a user review w/ @getolympus

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Ultra wide angle options for every system, tend to be expensive and/or compromised.  It can be difficult to optically correct and transfer light onto these digital sensors which are far less forgiving than film ever was, especially outside of the center frame.  Add to that, with various “crop” formats, the physical focal length needed to achieve these angles of view has to be remarkably short which provides other engineering challenges.  Panasonic saw the need for an ultra wide angle zoom lens from the very early stages of the Micro 4/3 format, and has offered a very solid 7-14mm f/4 lens for years, but many system shooters wanted both a faster option, along with one that was environmentally sealed for outdoor work.  Olympus answered that call with the m.Zuiko 7-14mm f/2.8 PRO lens.  A substantial, weather sealed, tank like 14-28mm f/2.8 equivalent lens (in light gathering you FF fanatic naysayers, you) that costs a pretty penny, especially considering the Panasonic Lumix option at close to half the price, it’s not necessarily one for the budget minded shooter.  It is however, a pretty damn stellar performer.  I have had this lens for the better part of the year, and I’ve just returned from a trip to Portugal and Holland where I used this lens on the GX8 for my travel documentation needs.  I have some other shots sprinkled in, but I want to give a bit of perspective when using this lens as a travel companion. C’mon in for some shots and thoughts…

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*Sigma 20mm f/1.4 Art Lens on the Sony a7II and Canon 5DII, a user review w/ @adorama

 

Sigma Art EF 20mm f/1.4 Lens review

Happy new year! I’ve been having a wonderful holiday season, largely thanks to Adorama for lending me this beaut of a lens.  The Sigma Art 20mm f/1.4 is the widest, f/1.4 full frame lens, and is the newest addition to the much vaunted line of f/1.4 Sigma Art Primes available in Canon EF, Nikon F, and Sigma mounts.  In this article, we’ll explore a bit of the more measurable aspects as well as the more touchy, feely parts of interacting with this lens.  I shot this lens on both the Canon EOS 5D mkII and the Sony a7II via the EF>FE Metabones MkIV smart adapter, and it performed equally as solid on both cameras.  Is this a viable option for full frame system shooters for fast, ultra wide applications?  Well, seeing as there has never been a full frame compatible lens this wide, this fast, it’s forging new ground for many shooters, and that is pretty rare in this day and age.  C’mon in to see some example images and read my rambling thoughts…

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