*Sony brings two new, sexy ultrawide zooms to the Full Frame party. JUST ANNOUNCED!!!

We’ve heard whispers of the Sony FE 16-35mm GM lens bandied about, and perhaps those in the know have also been hearing about an even wider option, but the FE 12-24 f/4 lens just caught me by surprise!

While pre-orders won’t be taken until this Friday, you can submit to have an email alert once they are available via these links which you can see more about these lenses, their specs and will take you directly to B&H:

Sony FE 16-35mm f/2.8 GM HERE

Sony FE 12-24mm f/4 G HERE

B&H lists the specs of the 16-35 f/2.8 lens as follows:

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • Two Extra-Low Dispersion Elements
  • Three Aspherical and Two XA Elements
  • Nano AR and Fluorine Coatings
  • Two Direct Drive SSM AF Groups
  • Focus Hold Button, AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Eleven-Blade Circular Diaphragm

…And the 12-24 f/4 lens is listed at B&H as such:

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2 to f/22
  • Four Aspherical Elements
  • One Super ED and Three ED Elements
  • Nano AR Coating
  • Direct Drive Super Sonic Wave Motor
  • Focus Hold Button, AF/MF Switch
  • Dust and Moisture-Resistant Construction
  • Seven-Bladed Rounded Diaphragm

Obviously, the B&H site has mis-listed the max aperture on the 12-24, but both of these lenses look really, really good on paper.  How they test out optically is yet to be seen, but I’d imagine it won’t take long for us to get many comprehensive reviews very soon.  These are going to be two popular lenses.

The 16-35 looks very nice, and I’m sure will be an extremely popular UWA zoom for pro use, the price is very high in my opinion.  Reminds me of the Canon debate between their EF 16-35mm f/2.8 L and EF 17-40mm f/4 L lenses where the extra stop costs nearly twice as much.  For me personally, I use an ultra wide zoom for interiors and landscapes which usually see me stop down to f/8- f/11 or so, and will be shot on a tripod.  That made the decision for me an easy one.  I see a similar situation here with Sony’s offerings.  The 12-24mm lens looks pretty damn intriguing, and while the price is still very steep, by comparison to the 16-35, for my UWA use, I’d be opting for the wider, slower zoom myself, assuming these both test well optically.

Both are dust and moisture resistant meaning they should do well to hold up in inclement weather for outdoor shooting, as we should expect for lenses like these, targeted and priced for professional use.

Anyhoo, keep an eye out for these bad boys.  Should go some way in helping round out Sony’s full frame lens game for those serious, and deep pocketed shooters.

Cheers, and happy shooting,

Tyson

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*The Mighty Might, Panasonic GM1 on super sale

iPhone 5s vs Panasonic Lumix GM1

Adorama has the Panasonic, micro 4/3 GM1 camera with 12-32mm pancake zoom for $598 which comes with a $200 Adorama Gift Card, dropping the price for the camera and lens to an effective $398!  The lens itself retails for $348, and while that may be a little steep for the lens itself, it is a true 24mm e-fov wide angle lens that is sharper than many of the comparable prime lenses for the system at like aperture, across this zoom lens’ range.  While the asking price for the lens itself might be debatable, the quality and sheer minuscule footprint cannot be.  Sure that $200 gift card is only valid at Adorama, but if you’re like me, you’ll find a way to eventually spend two hundred bucks on something there.

That’s a pretty sweet deal for this little powerhouse of a camera and lens that I feel is the best kit lens I’ve used for the system.  

You can see the deal, currently running at Adorama via my affiliate links below:

GM1 (Blue) with 12-32mm f/3.5-5.6 Lens (Silver) + $200 Adorama Gift Card HERE 

GM1 (Orange) with 12-32mm f/3.5-5.6 Lens (Silver) + $200 Adorama Gift Card HERE

If you’d like, you can read my thoughts on the GM1 HERE and the 12-32mm Kit Lens HERE.

I bought my GM1 as soon as it was available, and it has been with me every day since, literally.  With the right lenses, this camera is pocketable and is small enough to go anywhere.  It has the same sensor as the GX7, which is rumored to also be included in the soon to be announced G7, which is a great performing sensor, especially for RAW file capture, and in my test/review, out performed the Sony sensor in the Olympus OMD EM5 in most every way.  The GM5 is essentially the same exact camera with a hot shoe and an EVF.  Both great additions, but for this price, I think it would be hard to find a better overall value of size, performance and build quality offered with the GM1.  It’s a great little machine, and by little, I mean tiny.

You can stay posted on reviews, tutorials and deals by finding me on Facebook, Twitter, Flickr or Instagram or if you prefer to receive email alerts when articles are posted, feel free to add your email address at the top right of the page here.  

Happy shooting.

Tyson

*Micro 4/3 Super Tele Battle, Lumix 100-300 vs Oly 40-150+1.4xTC

P1200261 - Version 2

Since purchasing the Olympus MC1.4x Teleconverter to couple with the Oly 40-150mm f/2.8 lens, I’ve been curious to see if the extra reach provided me by my Panasonic 100-300mm lens is really necessary.  The 100-300 is a great lens in its own right, and for the price, provides an option that no other system can boast, so needless to say, I do think highly of it.  That said, the 100-300 can soften up a bit on the long end (and to stop anyone who may suggest the Oly 75-300, I still feel the Lumix is the better overall lens and optically up to snuff, so, no) the question is, do I really get much from the extra reach?

Well, come on in for my findings and decision…

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*Panasonic Lumix G Vario 12-32mm f/3.5-5.6 Lens, Tested

Lumix G Vario 12-32mm f/3.5-5.6 lens review Yet another kit lens has come onto the scene.  On paper, ho-hum, a little wider, a little shorter, still slow, no focus ring…  Why would this particular kit lens be a better choice than the other current options?  Yes, it’s tiny and light weight and nearly as small as the Lumix 14mm Pancake lens, but what’s this?  It’s reasonably sharp at all focal lengths and all apertures and offers us a 24mm equivalent lens as opposed to the moderate wide 28mm equivalent in most all other kit zooms… Interesting.  Hit the jump for my user review on this little optic…

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*Panasonic Lumix 100-300mm, waste of time, or amazing value?

Lumix G Vario 100-300mm f/4-5.6

One huge benefit to a smaller sensor is the effective focal length multiplier.  Sure you can crop into an image captured at a wider angle, or on a larger sensor but as we have seen in the focal length vs sensor size post, when utilizing a smaller (relative to full frame) sensor, you can actually decrease your depth of field with the same focal length if shot from a fixed location, all while generically increasing your focal length by way of the effective multiplier in that smaller sensors crop into the larger image circle.  Aperture is aperture as far as exposure is concerned, so even by this standard, f/5.6 is relatively quick when you consider the focal length and price.  This said, is the Lumix G Vario 100-300mm f/4-5.6 (<UPDATE! click the link to see it at B&H, and if you click on “Savings Available” the price is down to $499 if you purchase one of the three things that qualify, like the $10.99 software…) worth the price of admission when you consider you get a 600mm lens able to shoot at f/5.6?  Let’s see…

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*Which lens for which situation?

different tools for different applications

I like to spend time on flickr.  It is an amazingly diverse community of photographers ranging from absolute novices to consummate professionals.  One of the questions that come up in the gear groups there and in conversation with other photographers quite often is, “which lens should I purchase?”  With interchangeable lens system cameras coming down in price by the day it seems, it is becoming much more accessible to acquire high quality photographic tools.  One of the main benefits to an interchangeable lens camera, is just that, lenses!  Which to choose and why?  C’mon in and we shall discuss.  Before the end of this article, you too will know which lenses will provide you with the best bang for you buck, depending on which buck you choose to bang… Continue reading